Cinema and the swastika : the international expansion of Third Reich cinema

Europe's new Hollywood? The German film industry under Nazi rule, 1933-45 / David Welch and Roel Vande Winkel -- 'European cinema for Europe!' the International Film Chamber, 1935-42 / Benjamin George Martin -- German attempts to penetrate the Spanish-speaking film markets, 1936-42 /...

Ausführliche Beschreibung

Bibliographische Detailangaben
Weitere Verfasser: Winkel, Roel vande 1974- (HerausgeberIn), Welch, David 1950- (BerichterstatterIn)
Format: Buch
Sprache:English
Veröffentlicht: Basingstoke [u.a.] : Palgrave Macmillan, 2007
Ausgabe:1. publ.
Schlagworte:Motion pictures, German National socialism and motion pictures Motion picture industry Deutschland Film Verbreitung Ausland Geschichte 1933-1945 Drittes Reich Nationalsozialismus mehr... Filmpolitik Wirkung
Umfang:XVI, 342 S.
Inhaltsangabe:
  • Europe's new Hollywood? The German film industry under Nazi rule, 1933-45 David Welch and Roel Vande Winkel
  • 'European cinema for Europe!' the International Film Chamber, 1935-42 Benjamin George Martin
  • German attempts to penetrate the Spanish-speaking film markets, 1936-42 Lisa Jarvinen and Francisco Peredo-Castro
  • Between resistance and collaboration: Austrian cinema and Nazism before and during the annexation, 1933-45 Robert von Dassanowsky
  • German influence on Belgian cinema, 1933-45: from low profile presence to downright colonisation Roel Vande Winkel
  • Nazi film politics in Brazil, 1933-42 Luiz Nazario
  • The influence of German cinema on newly established Croatian cinematography, 1941-45 Daniel Rafaelić
  • A dangerous neighbourhood: German cinema in the Czechoslovak region, 1933-45 Ivan Klimeš
  • The attempted Nazification of French cinema, 1934-44 Brett Bowles
  • Cinema goes to war: the German film policy in Greece during the occupation, 1941-44 Eirini Sifaki
  • Competitor or compatriot? Hungarian film in the shadow of the swastika, 1933-44 David S. Frey
  • A war within the war: Italy, film, propaganda and the quest for cultural hegemony in Europe (1933-43) Aristotle A. Kallis
  • Celluloid competition: German-Japanese film relations, 1929-45 Janine Hansen-- From Dawn to Young Eagles: the (failed) attempt of Germanisation and Nazification of Luxembourg through cinema, 1933-44 / Paul Lesch
  • Dutch-German film relations under German pressure and Nazi occupation, 1933-45 Ingo Schiweck
  • From will to reality- Norwegian film during the Nazi occupation, 1940-45 Bjørn Sørenssen
  • Brown-red shadows: the influence of Third Reich and Soviet cinema on Afrikaans film, 1927-48 Keyan Tomaselli and Michael Eckardt
  • Film and politics in south-east Europe: Germany as 'leading cultural nation', 1933-45 Tim Kirk
  • German films on the Spanish market before, during, and after the Civil war, 1933-45 María A. Paz and Julio Montero
  • Swedish film and Germany, 1933-45 Rochelle Wright
  • Film propaganda and the balance between neutrality and alignment: Nazi films in Switzerland, 1933-45 Gianni Haver
  • 'A thin stream issuing through closed lock gates' : German cinema and the United Kingdom, 1933-45 Jo Fox
  • German films in America, 1933-45: public diplomacy and an uncoordinated information campaign David Culbert