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|a 2006048784
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|a 013602098
|2 UK
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|a 1403994919
|c (hbk.) : £55.00 hbk.
|9 1-4039-9491-9
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|a 9781403994912
|c : cloth
|9 978-1-4039-9491-2
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|a Cinema and the swastika
|b the international expansion of Third Reich cinema
|c ed. by Roel Vande Winkel and David Welch
|
| 250 |
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|a 1. publ.
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| 264 |
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1 |
|a Basingstoke [u.a.]
|b Palgrave Macmillan
|c 2007
|
| 300 |
|
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|a XVI, 342 S.
|b Ill.
|c 22 cm
|
| 336 |
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|a Text
|b txt
|2 rdacontent
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|a ohne Hilfsmittel zu benutzen
|b n
|2 rdamedia
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|a Band
|b nc
|2 rdacarrier
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|a Includes bibliographical references and index
|
| 505 |
8 |
0 |
|t Europe's new Hollywood? The German film industry under Nazi rule, 1933-45
|r David Welch and Roel Vande Winkel
|
| 505 |
8 |
0 |
|t 'European cinema for Europe!' the International Film Chamber, 1935-42
|r Benjamin George Martin
|
| 505 |
8 |
0 |
|t German attempts to penetrate the Spanish-speaking film markets, 1936-42
|r Lisa Jarvinen and Francisco Peredo-Castro
|
| 505 |
8 |
0 |
|t Between resistance and collaboration: Austrian cinema and Nazism before and during the annexation, 1933-45
|r Robert von Dassanowsky
|
| 505 |
8 |
0 |
|t German influence on Belgian cinema, 1933-45: from low profile presence to downright colonisation
|r Roel Vande Winkel
|
| 505 |
8 |
0 |
|t Nazi film politics in Brazil, 1933-42
|r Luiz Nazario
|
| 505 |
8 |
0 |
|t The influence of German cinema on newly established Croatian cinematography, 1941-45
|r Daniel Rafaelić
|
| 505 |
8 |
0 |
|t A dangerous neighbourhood: German cinema in the Czechoslovak region, 1933-45
|r Ivan Klimeš
|
| 505 |
8 |
0 |
|t The attempted Nazification of French cinema, 1934-44
|r Brett Bowles
|
| 505 |
8 |
0 |
|t Cinema goes to war: the German film policy in Greece during the occupation, 1941-44
|r Eirini Sifaki
|
| 505 |
8 |
0 |
|t Competitor or compatriot? Hungarian film in the shadow of the swastika, 1933-44
|r David S. Frey
|
| 505 |
8 |
0 |
|t A war within the war: Italy, film, propaganda and the quest for cultural hegemony in Europe (1933-43)
|r Aristotle A. Kallis
|
| 505 |
8 |
0 |
|t Celluloid competition: German-Japanese film relations, 1929-45
|r Janine Hansen-- From Dawn to Young Eagles: the (failed) attempt of Germanisation and Nazification of Luxembourg through cinema, 1933-44 / Paul Lesch
|
| 505 |
8 |
0 |
|t Dutch-German film relations under German pressure and Nazi occupation, 1933-45
|r Ingo Schiweck
|
| 505 |
8 |
0 |
|t From will to reality- Norwegian film during the Nazi occupation, 1940-45
|r Bjørn Sørenssen
|
| 505 |
8 |
0 |
|t Brown-red shadows: the influence of Third Reich and Soviet cinema on Afrikaans film, 1927-48
|r Keyan Tomaselli and Michael Eckardt
|
| 505 |
8 |
0 |
|t Film and politics in south-east Europe: Germany as 'leading cultural nation', 1933-45
|r Tim Kirk
|
| 505 |
8 |
0 |
|t German films on the Spanish market before, during, and after the Civil war, 1933-45
|r María A. Paz and Julio Montero
|
| 505 |
8 |
0 |
|t Swedish film and Germany, 1933-45
|r Rochelle Wright
|
| 505 |
8 |
0 |
|t Film propaganda and the balance between neutrality and alignment: Nazi films in Switzerland, 1933-45
|r Gianni Haver
|
| 505 |
8 |
0 |
|t 'A thin stream issuing through closed lock gates' : German cinema and the United Kingdom, 1933-45
|r Jo Fox
|
| 505 |
8 |
0 |
|t German films in America, 1933-45: public diplomacy and an uncoordinated information campaign
|r David Culbert
|
| 520 |
|
|
|a Europe's new Hollywood? The German film industry under Nazi rule, 1933-45 / David Welch and Roel Vande Winkel -- 'European cinema for Europe!' the International Film Chamber, 1935-42 / Benjamin George Martin -- German attempts to penetrate the Spanish-speaking film markets, 1936-42 / Lisa Jarvinen and Francisco Peredo-Castro -- Between resistance and collaboration: Austrian cinema and Nazism before and during the annexation, 1933-45 / Robert von Dassanowsky -- German influence on Belgian cinema, 1933-45: from low profile presence to downright colonisation / Roel Vande Winkel -- Nazi film politics in Brazil, 1933-42 / Luiz Nazario -- The influence of German cinema on newly established Croatian cinematography, 1941-45 / Daniel Rafaelić -- A dangerous neighbourhood: German cinema in the Czechoslovak region, 1933-45 / Ivan Klimeš -- The attempted Nazification of French cinema, 1934-44 / Brett Bowles -- Cinema goes to war: the German film policy in Greece during the occupation, 1941-44 / Eirini Sifaki -- Competitor or compatriot? Hungarian film in the shadow of the swastika, 1933-44 / David S. Frey -- A war within the war: Italy, film, propaganda and the quest for cultural hegemony in Europe (1933-43) / Aristotle A. Kallis -- Celluloid competition: German-Japanese film relations, 1929-45 / Janine Hansen-- From Dawn to Young Eagles: the (failed) attempt of Germanisation and Nazification of Luxembourg through cinema, 1933-44 / Paul Lesch -- Dutch-German film relations under German pressure and Nazi occupation, 1933-45 / Ingo Schiweck -- From will to reality- Norwegian film during the Nazi occupation, 1940-45 / Bjørn Sørenssen -- Brown-red shadows: the influence of Third Reich and Soviet cinema on Afrikaans film, 1927-48 / Keyan Tomaselli and Michael Eckardt -- Film and politics in south-east Europe: Germany as 'leading cultural nation', 1933-45 / Tim Kirk -- German films on the Spanish market before, during, and after the Civil war, 1933-45 / María A. Paz and Julio Montero -- Swedish film and Germany, 1933-45 / Rochelle Wright -- Film propaganda and the balance between neutrality and alignment: Nazi films in Switzerland, 1933-45 / Gianni Haver -- 'A thin stream issuing through closed lock gates' : German cinema and the United Kingdom, 1933-45 / Jo Fox -- German films in America, 1933-45: public diplomacy and an uncoordinated information campaign / David Culbert
|
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4 |
|a National socialism and motion pictures
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|a Motion picture industry
|x Europe
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|1 01
|x DE-B1528
|b 4325826084
|c 00
|f --%%--
|d 2.3.G-CIN 3
|e --%%--
|j --%%--
|k Buch
|y l01
|z 26-05-23
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Nationalsozialismus
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Okkupation
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Nationalsozialismus im Film
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Faschismus
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Nationalismus
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Antisemitismus
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Bavaria
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Fox Film <Los Angeles, CA>
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a LUCE <Rom>
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Tobis
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Terra-Film AG
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Tobis-Sascha-Film AG <Wien>
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Paramount Pictures
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Ufa
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Universal Pictures
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a United Artists Corporation
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Reichsfilmkammer <Berlin>
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Barcarole, 1935
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 00
|s s
|a Bel ami, 1939
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Deutschland
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Filmgeschichte
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a 1933-1945
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Tschechoslowakei
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Blaue Engel, Der, 1930
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Feldzug in Polen, 1940
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Catherine the great, 1934
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Sieg im Westen, Der, 1940-41
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Triumph des Willens, 1935
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Siegfried, 1924
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Confessions of a nazi spy, 1939
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Münchhausen, 1943
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Tochter des Samurai, Die, 1937
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 01
|s s
|a Goldene Stadt, Die, 1942
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Deutschland
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Filmwirtschaft
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a 1933-1945
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Jud Süß, 1940
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Morgenrot, 1933
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Deutsche Wochenschau
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Propagandafilm
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Kulturfilm
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Kriegsfilm
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Krieg <Motiv>
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Judentum <Motiv>
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Rökk, Marika
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 02
|s s
|a Riefenstahl, Leni
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Europa
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a 1933-1945
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Leander, Zarah
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Forst, Willi
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Greven, Alfred
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Harlan, Veit
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Helm, Brigitte
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Hitler, Adolf
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Hippler, Fritz
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Fanck, Arnold
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Chaplin, Charles
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 03
|s s
|a Bolvary, Geza von
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Schweiz
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Vargas, Getúlio
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Veidt, Conrad
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Capra, Frank
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Rühmann, Heinz
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Söderbaum, Kristina
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Freddi, Luigi
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Pommer, Erich
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Goebbels, Joseph
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 04
|s s
|a Montagu, Ivor
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 05
|s s
|a Schweden
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 05
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 06
|s s
|a Afrika
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 06
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 07
|s s
|a Niederlande
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 07
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 08
|s s
|a Japan
|
| 982 |
|
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|2 2486
|1 01
|x DE-Wi17
|8 08
|s s
|a Deutscher Einfluß
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 09
|s s
|a Deutschland
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 09
|s s
|a Filmpolitik
|
| 982 |
|
|
|2 2486
|1 01
|x DE-Wi17
|8 09
|s s
|a 1933-1945
|
| 982 |
|
|
|2 2559
|1 01
|x DE-B1528
|8 00
|s s
|a Propaganda
|
| 982 |
|
|
|2 2559
|1 01
|x DE-B1528
|8 00
|s s
|a Nationalsozialismus
|
| 982 |
|
|
|2 2559
|1 01
|x DE-B1528
|8 00
|s s
|a Filmwirtschaft
|
| 982 |
|
|
|2 2559
|1 01
|x DE-B1528
|8 00
|s s
|a Internationale Beziehungen
|
| 983 |
|
|
|2 21
|1 00
|x DE-46
|8 30
|a puz 776 2ak
|
| 983 |
|
|
|2 21
|1 00
|x DE-46
|8 31
|a puz 774.2
|
| 983 |
|
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|2 21
|1 00
|x DE-46
|8 32
|a hit 337 7x
|
| 983 |
|
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|2 21
|1 00
|x DE-46
|8 80
|a 2ak 71 776
|
| 983 |
|
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|2 21
|1 00
|x DE-46
|8 99
|a 24
|
| 983 |
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|2 63
|1 00
|x DE-Wim2
|8 00
|a Lh 1100
|
| 983 |
|
|
|2 110
|1 00
|x DE-Luen4
|8 00
|a KoM 2060.D
|
| 983 |
|
|
|2 110
|1 00
|x DE-Luen4
|8 01
|a KoM 2050
|
| 983 |
|
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|2 2486
|1 01
|x DE-Wi17
|8 00
|a B 3.1/
|
| 984 |
|
|
|2 11
|1 01
|x 0001
|a 150594392010
|
| 984 |
|
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|2 21
|1 02
|x 0046
|a 46$0000645036
|
| 984 |
|
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|2 40
|1 01
|x 0007
|a 7$22534923X
|
| 984 |
|
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|2 49
|1 01
|x 3049
|a 3049$00261297
|
| 984 |
|
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|2 63
|1 01
|x 3401
|a WIM2$004123042
|
| 984 |
|
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|2 70
|1 80
|x 89/19
|a 89$131698850
|
| 984 |
|
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|2 110
|1 01
|x 3110
|a LUN4$06306004
|
| 984 |
|
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|2 350
|1 01
|x 8293
|a 9781403994912
|
| 984 |
|
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|2 2011
|1 01
|x DE-16
|a 103049792
|
| 984 |
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|2 2559
|1 01
|x DE-B1528
|a 00285551
|x 00
|
| 985 |
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|2 21
|1 02
|x 0046
|a xh 5569
|
| 985 |
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|2 40
|1 01
|x 0007
|a 2007.258
|
| 985 |
|
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|2 49
|1 01
|x 3049
|a 2007.361
|
| 985 |
|
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|2 70
|1 80
|x 89/19
|a BBG 2009-0320
|
| 985 |
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|2 110
|1 01
|x 3110
|a 09-13484
|
| 985 |
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|2 350
|1 01
|x 8293
|a 2009/1511
|
| 985 |
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|2 606
|1 01
|x 4606
|a 10/01207
|
| 985 |
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|2 2208
|1 01
|x DE-451
|a 2009/1279
|
| 985 |
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|2 2486
|1 01
|x DE-Wi17
|a 09 :0677
|
| 985 |
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|2 2559
|1 01
|x DE-B1528
|a 08.040
|
| 995 |
|
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|2 606
|1 01
|x 4606
|a b cn
|