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|a 10.1515/iasl-2013-0019
|2 doi
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|a (DE-B1597)iasl-2013-0019-p
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|a Nieberle, Sigrid
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|a Auf glattem Parkett
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|c 2013
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|a Text
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|a ohne Hilfsmittel zu benutzen
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|a © 2013 Walter de Gruyter GmbH, Berlin/Boston
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|a Abstract: Ballroom dancing may be understood as a well-known allegory for social and historical life in the nineteenth century. Even film adaptations of specific novels which contain no ballroom dancing at all show us spectacular and splendid sequences. Discussing the example of Heinrich Breloers film adaptation Buddenbrooks this paper argues that there have to be some other reasons for rewriting Thomas Mann’s novel.
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|i Enthalten in
|t Internationales Archiv für Sozialgeschichte der deutschen Literatur
|d De Gruyter, 1976
|g 38(2013), 2 vom: 01. Nov., Seite 427-442
|w (DE-627)129444383
|w (DE-600)195675-9
|w (DE-576)014812738
|x 0340-4528
|7 nnns
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|g volume:38
|g year:2013
|g number:2
|g day:01
|g month:11
|g pages:427-442
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|u https://doi.org/10.1515/iasl-2013-0019
|z lizenzpflichtig
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