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230810s2018 xx ||||| 00| ||und c |
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|a 10.1515/mial-2018-0019
|2 doi
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|a (DE-B1597)mial-2018-0019-p
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|a DE-627
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|c DE-627
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|a 8,1
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|a Küçükhüseyin, Şevket
|e verfasserin
|4 aut
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|a Hören und Tanzen – Das samāʿ als spirituelles Mittel und gesellschaftliches Kommunikationsmedium
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|c 2018
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|a Text
|b txt
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|a ohne Hilfsmittel zu benutzen
|b n
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|a © 2018 Walter de Gruyter GmbH, Berlin/Boston
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|a Abstract The following article looks briefly into the development of the spiritual practice of dance (samāʿ) in Islamic mysticism prior to the ritualization of the dervishes’ ‘dance’ with the early Mawlawiyya. Focusing on changes in the notion of ‘dance’ or physical motion as a consequence of contemplation and ecstasy, it also examines its quality as a means to obtain this state. This is preceded by some remarks on the terms ‘dance’ in Arabic, Persian and Turkish, and a brief discussion of the difficulties of research dealing with medieval dance, primarily in the Turkish context.
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| 773 |
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|i Enthalten in
|t Das Mittelalter
|d De Gruyter Akademie Forschung, 1996
|g 2018(2018), 2 vom: 06. Nov., Seite 358-382
|w (DE-627)216862167
|w (DE-600)1341574-8
|w (DE-576)055946283
|x 0949-0345
|7 nnns
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| 773 |
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|g volume:2018
|g year:2018
|g number:2
|g day:06
|g month:11
|g pages:358-382
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|u https://doi.org/10.1515/mial-2018-0019
|z lizenzpflichtig
|3 Volltext
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|d 2018
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|h 358-382
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