|
|
|
|
LEADER |
01000naa a22002652 4500 |
001 |
NLM338837515 |
003 |
DE-627 |
005 |
20231226001553.0 |
007 |
cr uuu---uuuuu |
008 |
231226s2023 xx |||||o 00| ||eng c |
024 |
7 |
|
|a 10.1109/TVCG.2022.3163676
|2 doi
|
028 |
5 |
2 |
|a pubmed24n1129.xml
|
035 |
|
|
|a (DE-627)NLM338837515
|
035 |
|
|
|a (NLM)35353702
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a eng
|
100 |
1 |
|
|a Aristidou, Andreas
|e verfasserin
|4 aut
|
245 |
1 |
0 |
|a Rhythm is a Dancer
|b Music-Driven Motion Synthesis With Global Structure
|
264 |
|
1 |
|c 2023
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a ƒaComputermedien
|b c
|2 rdamedia
|
338 |
|
|
|a ƒa Online-Ressource
|b cr
|2 rdacarrier
|
500 |
|
|
|a Date Completed 03.07.2023
|
500 |
|
|
|a Date Revised 03.07.2023
|
500 |
|
|
|a published: Print-Electronic
|
500 |
|
|
|a Citation Status PubMed-not-MEDLINE
|
520 |
|
|
|a Synthesizing human motion with a global structure, such as a choreography, is a challenging task. Existing methods tend to concentrate on local smooth pose transitions and neglect the global context or the theme of the motion. In this work, we present a music-driven motion synthesis framework that generates long-term sequences of human motions which are synchronized with the input beats, and jointly form a global structure that respects a specific dance genre. In addition, our framework enables generation of diverse motions that are controlled by the content of the music, and not only by the beat. Our music-driven dance synthesis framework is a hierarchical system that consists of three levels: pose, motif, and choreography. The pose level consists of an LSTM component that generates temporally coherent sequences of poses. The motif level guides sets of consecutive poses to form a movement that belongs to a specific distribution using a novel motion perceptual-loss. And the choreography level selects the order of the performed movements and drives the system to follow the global structure of a dance genre. Our results demonstrate the effectiveness of our music-driven framework to generate natural and consistent movements on various dance types, having control over the content of the synthesized motions, and respecting the overall structure of the dance
|
650 |
|
4 |
|a Journal Article
|
700 |
1 |
|
|a Yiannakidis, Anastasios
|e verfasserin
|4 aut
|
700 |
1 |
|
|a Aberman, Kfir
|e verfasserin
|4 aut
|
700 |
1 |
|
|a Cohen-Or, Daniel
|e verfasserin
|4 aut
|
700 |
1 |
|
|a Shamir, Ariel
|e verfasserin
|4 aut
|
700 |
1 |
|
|a Chrysanthou, Yiorgos
|e verfasserin
|4 aut
|
773 |
0 |
8 |
|i Enthalten in
|t IEEE transactions on visualization and computer graphics
|d 1996
|g 29(2023), 8 vom: 30. Aug., Seite 3519-3534
|w (DE-627)NLM098269445
|x 1941-0506
|7 nnns
|
773 |
1 |
8 |
|g volume:29
|g year:2023
|g number:8
|g day:30
|g month:08
|g pages:3519-3534
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1109/TVCG.2022.3163676
|3 Volltext
|
912 |
|
|
|a GBV_USEFLAG_A
|
912 |
|
|
|a SYSFLAG_A
|
912 |
|
|
|a GBV_NLM
|
912 |
|
|
|a GBV_ILN_350
|
951 |
|
|
|a AR
|
952 |
|
|
|d 29
|j 2023
|e 8
|b 30
|c 08
|h 3519-3534
|