Ghosts in the Mists: The Visual and the Visualized in Chinese Buddhist Art, ca. 1178

Water-Land Retreat, a late twelfth-century Chinese Buddhist painting crafted for use in large-scale offering rituals, depicts the liminal moment of ghosts' manifestation during a nocturnal liturgy of spectral salvation. Taking inspiration from the sensory dimensions of ritual performance and ma...

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Bibliographische Detailangaben
Veröffentlicht in:The Art Bulletin. - College Art Association of America, 1919. - 98(2016), 3, Seite 297-320
1. Verfasser: Bloom, Phillip E. (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2016
Zugriff auf das übergeordnete Werk:The Art Bulletin
Schlagworte:Religion Business Arts Behavioral sciences
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520 |a Water-Land Retreat, a late twelfth-century Chinese Buddhist painting crafted for use in large-scale offering rituals, depicts the liminal moment of ghosts' manifestation during a nocturnal liturgy of spectral salvation. Taking inspiration from the sensory dimensions of ritual performance and making use of a sophisticated stratigraphy of pigmentation, the painting leads the viewer-worshipper from consideration of external acts of offering and recitation to contemplation of internal visualizations performed solely in the minds of meditating monks. The viewer-worshipper is thus awakened to the multisensory matrix of ritual that unites liturgical art, text, and performance. 
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