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|a (JST)spectrum.7.2.07
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|a eng
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|a Zlabinger, Tom
|e verfasserin
|4 aut
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|a The Evolution of Love in Prince's Films and Their Concurrent Albums
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|c 2020
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|a Text
|b txt
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|a In the 1980s, Prince was ubiquitous in the US. Not only did he dominate the airwaves, MTV, and movie theaters, he presented an ever-evolving visual and sonic persona. But one theme tied all his work together: love. This article traces Prince's depiction and beliefs of love from Purple Rain (1984) to Graffiti Bridge (1990), focusing on key moments in his films, videos, and music. Throughout this period, Prince explored love in many different forms, including the love of self, others, revolution, and God. Through dialogue and lyrics from his films, videos, and music, Prince's many different versions of love are woven together to create a greater narrative that celebrates Prince's grand vision of love for all.
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|a © 2020 Trustees of Indiana University and Ohio State University
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|a Law
|x Criminal law
|x Criminal offenses
|x Property crimes
|x Vandalism
|x Graffiti
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|a Philosophy
|x Applied philosophy
|x Philosophy of religion
|x Spiritual love
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|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Poetic forms
|x Song lyrics
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|a Arts
|x Performing arts
|x Music
|x Music theory
|x Musical pitch
|x Melody
|x Musical motives
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|a Arts
|x Performing arts
|x Music
|x Music genres
|x Commercial music
|x Film music
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|a Arts
|x Performing arts
|x Music
|x Musical performance
|x Music ensembles
|x Musical bands
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|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Emotion
|x Emotional states
|x Love
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|x Short films
|x Music videos
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|a Arts
|x Performing arts
|x Music
|x Musical instruments
|x String instruments
|x Lutes
|x Guitars
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|a Social sciences
|x Population studies
|x Human populations
|x Persons
|x Men
|x Fathers
|x ESSAY
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4 |
|a Law
|x Criminal law
|x Criminal offenses
|x Property crimes
|x Vandalism
|x Graffiti
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650 |
|
4 |
|a Philosophy
|x Applied philosophy
|x Philosophy of religion
|x Spiritual love
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650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Poetic forms
|x Song lyrics
|
650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Music theory
|x Musical pitch
|x Melody
|x Musical motives
|
650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Music genres
|x Commercial music
|x Film music
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650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Musical performance
|x Music ensembles
|x Musical bands
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650 |
|
4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Emotion
|x Emotional states
|x Love
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650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|x Short films
|x Music videos
|
650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Musical instruments
|x String instruments
|x Lutes
|x Guitars
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|
4 |
|a Social sciences
|x Population studies
|x Human populations
|x Persons
|x Men
|x Fathers
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|a research-article
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|i Enthalten in
|t Spectrum: A Journal on Black Men
|d Indiana University Press, 2018
|g 7(2020), 2, Seite 133-152
|w (DE-627)72818205X
|w (DE-600)2687517-2
|x 21623252
|7 nnns
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|g volume:7
|g year:2020
|g number:2
|g pages:133-152
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|u https://www.jstor.org/stable/10.2979/spectrum.7.2.07
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|d 7
|j 2020
|e 2
|h 133-152
|