Vocal Vulnerability : Tenors, Voix mixte and Late Nineteenth-Century French Opera

It is now a historical commonplace that nineteenth-century operatic singing became generally louder and heavier over the course of the century. Early in the century, before the advent of singers such as Gilbert-Louis Duprez, tenors sang high notes with a light, mixed voice, sometimes even falsetto....

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:Cambridge Opera Journal. - Cambridge University Press. - 30(2018), 2/3, Seite 138-164
1. Verfasser: PARR, SEAN M. (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2018
Zugriff auf das übergeordnete Werk:Cambridge Opera Journal