Vocal Vulnerability : Tenors, Voix mixte and Late Nineteenth-Century French Opera

It is now a historical commonplace that nineteenth-century operatic singing became generally louder and heavier over the course of the century. Early in the century, before the advent of singers such as Gilbert-Louis Duprez, tenors sang high notes with a light, mixed voice, sometimes even falsetto....

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Détails bibliographiques
Publié dans:Cambridge Opera Journal. - Cambridge University Press. - 30(2018), 2/3, Seite 138-164
Auteur principal: PARR, SEAN M. (Auteur)
Format: Article en ligne
Langue:English
Publié: 2018
Accès à la collection:Cambridge Opera Journal