|
|
|
|
LEADER |
01000caa a22002652 4500 |
001 |
JST132205300 |
003 |
DE-627 |
005 |
20240625152659.0 |
007 |
cr uuu---uuuuu |
008 |
220303s2018 xx |||||o 00| ||eng c |
035 |
|
|
|a (DE-627)JST132205300
|
035 |
|
|
|a (JST)edgallpoerev.19.1.0007
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a eng
|
100 |
1 |
|
|a Rigal-Aragón, Margarita
|e verfasserin
|4 aut
|
245 |
1 |
0 |
|a Poe and the Art of Painting: Tales to Be Seen—the First Spanish Illustrated Edition
|
264 |
|
1 |
|c 2018
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
520 |
|
|
|a The poetry and tales of Edgar Allan Poe present a body of work uniquely ripe for interdisciplinary analysis, particularly since his idea about unity of conception involves literary and visual aspects. The present study examines the pictorial dimension of Poe's tales, analyzing the art references that we can trace in some of his works. These written paintings become extraordinary sources of inspiration for innumerable artists who illustrate the images described in these texts; Poe's bizarre capacity to explore an astonishing visual richness—the beautiful, the grotesque, the macabre, the sublime, the picturesque—makes this task challenging. This article focuses on how the illustrator Fernando Xumetra approached Poe's works in the first illustrated Spanish edition (1887).
|
540 |
|
|
|a Copyright © 2018 by The Pennsylvania State University. All rights reserved.
|
650 |
|
4 |
|a illustrators
|
650 |
|
4 |
|a Poe's Tales
|
650 |
|
4 |
|a Xumetra
|
650 |
|
4 |
|a Editions
|
650 |
|
4 |
|a Spain
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
|x Illustration
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Narratives
|x Tales
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Communications media
|x Visual materials
|x Images
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary elements
|x Narrative point of view
|x Narrators
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural institutions
|x Libraries
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary studies
|x Comparative literature
|x World literature
|x French literature
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary devices
|x Allegory
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Abstract art
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary studies
|x Literary criticism
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
|x Graphic design
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
|x Illustration
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Narratives
|x Tales
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Communications media
|x Visual materials
|x Images
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary elements
|x Narrative point of view
|x Narrators
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural institutions
|x Libraries
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary studies
|x Comparative literature
|x World literature
|x French literature
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary devices
|x Allegory
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Abstract art
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary studies
|x Literary criticism
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
|x Graphic design
|
655 |
|
4 |
|a research-article
|
700 |
1 |
|
|a González-Moreno, Fernando
|e verfasserin
|4 aut
|
773 |
0 |
8 |
|i Enthalten in
|t The Edgar Allan Poe Review
|d Pennsylvania State University Press, 2000
|g 19(2018), 1, Seite 7-27
|w (DE-627)519767705
|w (DE-600)2257436-0
|x 21662932
|7 nnns
|
773 |
1 |
8 |
|g volume:19
|g year:2018
|g number:1
|g pages:7-27
|
856 |
4 |
0 |
|u https://www.jstor.org/stable/10.5325/edgallpoerev.19.1.0007
|3 Volltext
|
912 |
|
|
|a GBV_USEFLAG_A
|
912 |
|
|
|a SYSFLAG_A
|
912 |
|
|
|a GBV_JST
|
912 |
|
|
|a GBV_ILN_11
|
912 |
|
|
|a GBV_ILN_20
|
912 |
|
|
|a GBV_ILN_22
|
912 |
|
|
|a GBV_ILN_24
|
912 |
|
|
|a GBV_ILN_31
|
912 |
|
|
|a GBV_ILN_39
|
912 |
|
|
|a GBV_ILN_40
|
912 |
|
|
|a GBV_ILN_60
|
912 |
|
|
|a GBV_ILN_62
|
912 |
|
|
|a GBV_ILN_63
|
912 |
|
|
|a GBV_ILN_65
|
912 |
|
|
|a GBV_ILN_70
|
912 |
|
|
|a GBV_ILN_90
|
912 |
|
|
|a GBV_ILN_100
|
912 |
|
|
|a GBV_ILN_110
|
912 |
|
|
|a GBV_ILN_120
|
912 |
|
|
|a GBV_ILN_165
|
912 |
|
|
|a GBV_ILN_285
|
912 |
|
|
|a GBV_ILN_374
|
912 |
|
|
|a GBV_ILN_702
|
912 |
|
|
|a GBV_ILN_1200
|
912 |
|
|
|a GBV_ILN_2001
|
912 |
|
|
|a GBV_ILN_2003
|
912 |
|
|
|a GBV_ILN_2005
|
912 |
|
|
|a GBV_ILN_2006
|
912 |
|
|
|a GBV_ILN_2007
|
912 |
|
|
|a GBV_ILN_2008
|
912 |
|
|
|a GBV_ILN_2009
|
912 |
|
|
|a GBV_ILN_2010
|
912 |
|
|
|a GBV_ILN_2011
|
912 |
|
|
|a GBV_ILN_2014
|
912 |
|
|
|a GBV_ILN_2015
|
912 |
|
|
|a GBV_ILN_2018
|
912 |
|
|
|a GBV_ILN_2020
|
912 |
|
|
|a GBV_ILN_2021
|
912 |
|
|
|a GBV_ILN_2026
|
912 |
|
|
|a GBV_ILN_2027
|
912 |
|
|
|a GBV_ILN_2044
|
912 |
|
|
|a GBV_ILN_2050
|
912 |
|
|
|a GBV_ILN_2056
|
912 |
|
|
|a GBV_ILN_2057
|
912 |
|
|
|a GBV_ILN_2061
|
912 |
|
|
|a GBV_ILN_2107
|
912 |
|
|
|a GBV_ILN_2190
|
912 |
|
|
|a GBV_ILN_2875
|
912 |
|
|
|a GBV_ILN_2949
|
912 |
|
|
|a GBV_ILN_2950
|
912 |
|
|
|a GBV_ILN_4012
|
912 |
|
|
|a GBV_ILN_4035
|
912 |
|
|
|a GBV_ILN_4037
|
912 |
|
|
|a GBV_ILN_4046
|
912 |
|
|
|a GBV_ILN_4112
|
912 |
|
|
|a GBV_ILN_4126
|
912 |
|
|
|a GBV_ILN_4242
|
912 |
|
|
|a GBV_ILN_4251
|
912 |
|
|
|a GBV_ILN_4305
|
912 |
|
|
|a GBV_ILN_4306
|
912 |
|
|
|a GBV_ILN_4307
|
912 |
|
|
|a GBV_ILN_4322
|
912 |
|
|
|a GBV_ILN_4323
|
912 |
|
|
|a GBV_ILN_4325
|
912 |
|
|
|a GBV_ILN_4335
|
912 |
|
|
|a GBV_ILN_4346
|
912 |
|
|
|a GBV_ILN_4392
|
912 |
|
|
|a GBV_ILN_4393
|
951 |
|
|
|a AR
|
952 |
|
|
|d 19
|j 2018
|e 1
|h 7-27
|