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|a (JST)filmhistory.30.1.02
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|a A Vernacular National Cinema: Amateur Filmmaking in Catalonia (1932–1936)
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|c 2018
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|a This essay argues that the development of amateur cinema in Catalonia in the 1930s is key to understanding the role that film played in Spain's complex engagement with modernity. I pose amateur cinema as a forgotten avant-garde that spearheaded the emergence of film culture beyond the commercial screen in regions with minor film industries. I examine the particular visual regime fostered by these filmmakers, the distribution of social bodies in their films, and their class-oriented view of reality. I argue that their films embodied the anxiety of a dominant class faced with the reality that public life suddenly had to be shared with the so-called masses who were advancing to the foreground of society. Therefore, I understand the cultural production of Catalan amateurs as a reflection of the archaic class relations that were fueling radicalization in the Spanish sociopolitical realm. The amateur archive is thus a necessary repository to aid our understanding of how moving images became the most widespread form of cultural representation—but also social domination and indoctrination—throughout the twentieth century.
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|a © 2018 Trustees of Indiana University
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|a Catalan amateur cinema
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|a vernacular national cinema
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|a amateur film institutions
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|a amateur film clubs
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|a forgotten avant-garde
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
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|a Business
|x Industry
|x Industrial sectors
|x Cultural industries
|x Entertainment industries
|x Motion picture industry
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|a Arts
|x Art theory
|x Art criticism
|x Film criticism
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4 |
|a Behavioral sciences
|x Sociology
|x Human societies
|x Social structures
|x Social stratification
|x Social classes
|x Middle class
|x Bourgeois
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650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Modernist art
|x Avant garde
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650 |
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4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Cinematography
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650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Postmodern art
|x Collage
|x Montage
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650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|x Film genres
|x Documentary films
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650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Film theory
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650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
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650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|
650 |
|
4 |
|a Business
|x Industry
|x Industrial sectors
|x Cultural industries
|x Entertainment industries
|x Motion picture industry
|
650 |
|
4 |
|a Arts
|x Art theory
|x Art criticism
|x Film criticism
|
650 |
|
4 |
|a Behavioral sciences
|x Sociology
|x Human societies
|x Social structures
|x Social stratification
|x Social classes
|x Middle class
|x Bourgeois
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Modernist art
|x Avant garde
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Cinematography
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Postmodern art
|x Collage
|x Montage
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|x Film genres
|x Documentary films
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650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Film theory
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
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|a research-article
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|i Enthalten in
|t Transition
|d Indiana University Press, 1957
|g 30(2018), 1, Seite 1-29
|w (DE-627)306647273
|w (DE-600)1499150-0
|x 15278042
|7 nnns
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|g volume:30
|g year:2018
|g number:1
|g pages:1-29
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|u https://www.jstor.org/stable/10.2979/filmhistory.30.1.02
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|d 30
|j 2018
|e 1
|h 1-29
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