Lament and Death instead of Marriage: The Iconography of Deceased Maidens on Attic Grave Reliefs of the Classical Period

This article examines the iconography of Athenian maidens (parthenoi) from Classical-period funerary reliefs. By challenging the long-standing loutrophoros theory that this vessel is a symbol of untimely death before marriage, it becomes apparent that this meaning applies only when it is used in spe...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:HESPERIA. - American School of Classical Studies at Athens, 1932. - 87(2018), 1, Seite 91-176
Format: Online-Aufsatz
Veröffentlicht: 2018
Zugriff auf das übergeordnete Werk:HESPERIA
Schlagworte:Classical Athens Funerary studies Grave stele Death Iconography Maidens Loutrophoros Social sciences Information science mehr... Economics Biological sciences Arts Behavioral sciences
LEADER 01000caa a22002652 4500
001 JST132183099
003 DE-627
005 20240625152503.0
007 cr uuu---uuuuu
008 220303s2018 xx |||||o 00| ||en c
035 |a (DE-627)JST132183099 
035 |a (JST)hesperia.87.1.0091 
040 |a DE-627  |b ger  |c DE-627  |e rakwb 
041 |a en 
245 1 0 |a Lament and Death instead of Marriage: The Iconography of Deceased Maidens on Attic Grave Reliefs of the Classical Period 
264 1 |c 2018 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a This article examines the iconography of Athenian maidens (parthenoi) from Classical-period funerary reliefs. By challenging the long-standing loutrophoros theory that this vessel is a symbol of untimely death before marriage, it becomes apparent that this meaning applies only when it is used in specific iconographic configurations in scenes on grave stelai or when it appears on top of a stele. The consideration of additional iconography exclusively characteristic of maiden figures on funerary reliefs, in conjunction with the iconography of prepubescent girls and young married women, leads to the conclusion that the Attic peplos and the shoulder-pinned back-mantle prove to be the most useful iconographical features for the identification of maidens. 
540 |a Copyright 2018 The American School of Classical Studies at Athens 
650 4 |a Classical 
650 4 |a Athens 
650 4 |a Funerary studies 
650 4 |a Grave stele 
650 4 |a Death 
650 4 |a Iconography 
650 4 |a Maidens 
650 4 |a Loutrophoros 
650 4 |a Social sciences  |x Archaeology  |x Material culture  |x Stelae 
650 4 |a Information science  |x Library science  |x Archival science  |x Archival principles  |x Provenance 
650 4 |a Social sciences  |x Archaeology  |x Archaeological paradigms  |x Culture historical archaeology  |x National archaeology 
650 4 |a Economics  |x Economic disciplines  |x Labor economics  |x Labor  |x Workforce  |x Domestic workers 
650 4 |a Biological sciences  |x Biology  |x Zoology  |x Animals  |x Female animals 
650 4 |a Arts  |x Art theory  |x Iconography 
650 4 |a Social sciences  |x Communications  |x Nonverbal communication  |x Gestures 
650 4 |a Arts  |x Applied arts  |x Architecture  |x Funerary architecture  |x Burial structures  |x Burial monuments  |x Tombs 
650 4 |a Social sciences  |x Population studies  |x Human populations  |x Persons  |x Women 
650 4 |a Behavioral sciences  |x Sociology  |x Human societies  |x Social institutions  |x Marriage  |x Marital status  |x Single status 
655 4 |a research-article 
773 0 8 |i Enthalten in  |t HESPERIA  |d American School of Classical Studies at Athens, 1932  |g 87(2018), 1, Seite 91-176  |w (DE-627)338478132  |w (DE-600)2064066-3  |x 15535622  |7 nnns 
773 1 8 |g volume:87  |g year:2018  |g number:1  |g pages:91-176 
856 4 0 |u https://www.jstor.org/stable/10.2972/hesperia.87.1.0091  |3 Volltext 
912 |a GBV_USEFLAG_A 
912 |a SYSFLAG_A 
912 |a GBV_JST 
912 |a GBV_ILN_11 
912 |a GBV_ILN_20 
912 |a GBV_ILN_22 
912 |a GBV_ILN_24 
912 |a GBV_ILN_31 
912 |a GBV_ILN_39 
912 |a GBV_ILN_40 
912 |a GBV_ILN_60 
912 |a GBV_ILN_62 
912 |a GBV_ILN_63 
912 |a GBV_ILN_69 
912 |a GBV_ILN_70 
912 |a GBV_ILN_90 
912 |a GBV_ILN_100 
912 |a GBV_ILN_110 
912 |a GBV_ILN_120 
912 |a GBV_ILN_285 
912 |a GBV_ILN_374 
912 |a GBV_ILN_702 
912 |a GBV_ILN_1200 
912 |a GBV_ILN_2001 
912 |a GBV_ILN_2003 
912 |a GBV_ILN_2005 
912 |a GBV_ILN_2006 
912 |a GBV_ILN_2007 
912 |a GBV_ILN_2008 
912 |a GBV_ILN_2009 
912 |a GBV_ILN_2010 
912 |a GBV_ILN_2011 
912 |a GBV_ILN_2014 
912 |a GBV_ILN_2015 
912 |a GBV_ILN_2018 
912 |a GBV_ILN_2020 
912 |a GBV_ILN_2021 
912 |a GBV_ILN_2026 
912 |a GBV_ILN_2027 
912 |a GBV_ILN_2044 
912 |a GBV_ILN_2046 
912 |a GBV_ILN_2050 
912 |a GBV_ILN_2056 
912 |a GBV_ILN_2057 
912 |a GBV_ILN_2061 
912 |a GBV_ILN_2107 
912 |a GBV_ILN_2111 
912 |a GBV_ILN_2147 
912 |a GBV_ILN_2148 
912 |a GBV_ILN_2190 
912 |a GBV_ILN_2933 
912 |a GBV_ILN_2949 
912 |a GBV_ILN_2950 
912 |a GBV_ILN_4012 
912 |a GBV_ILN_4035 
912 |a GBV_ILN_4037 
912 |a GBV_ILN_4046 
912 |a GBV_ILN_4112 
912 |a GBV_ILN_4125 
912 |a GBV_ILN_4126 
912 |a GBV_ILN_4242 
912 |a GBV_ILN_4251 
912 |a GBV_ILN_4305 
912 |a GBV_ILN_4306 
912 |a GBV_ILN_4307 
912 |a GBV_ILN_4313 
912 |a GBV_ILN_4322 
912 |a GBV_ILN_4323 
912 |a GBV_ILN_4324 
912 |a GBV_ILN_4325 
912 |a GBV_ILN_4335 
912 |a GBV_ILN_4346 
912 |a GBV_ILN_4393 
912 |a GBV_ILN_4700 
951 |a AR 
952 |d 87  |j 2018  |e 1  |h 91-176