Vanishing Mediators and Modes of Existence in Walter Scott's The Monastery
In his Magnum Opus introduction to The Monastery (1820), Scott retrospectively clarifies that the White Lady of Avanel — who plays a more active role in the novel's plot than any other supernatural agent in the Waverley Novels — was not intended to be a truly ot...
| Veröffentlicht in: | The Year's Work in Modern Language Studies. - Modern Humanities Research Association, 2009. - 47(2017) vom: Jan., Seite 77-92 |
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| Format: | Online-Aufsatz |
| Veröffentlicht: |
2017
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| Zugriff auf das übergeordnete Werk: | The Year's Work in Modern Language Studies |
| Schlagworte: | Religion Arts Social sciences |