Race in Steinbeck's Novelette Lifeboat

Crooks, the stable hand in Steinbeck's Of Mice and Men, was the only black character Steinbeck created who was published. He created another black character, Joe, for his novelette Lifeboat, but Joe as Steinbeck wrote him never came before either a reading or movie-going public since his draft...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:	The Steinbeck Review. - Pennsylvania State University Press, 2004. - 14(2017), 2, Seite 177-183
1. Verfasser:	Barden, Thomas E. (VerfasserIn)
Format:	Online-Aufsatz
Sprache:	English
Veröffentlicht:	2017
Zugriff auf das übergeordnete Werk:	The Steinbeck Review
Schlagworte:	racism Lifeboat black characters heroism Applied sciences Behavioral sciences Arts Economics


LEADER	01000caa a22002652 4500
001	JST127904999
003	DE-627
005	20240625110552.0
007	cr uuu---uuuuu
008	210116s2017 xx \|\|\|\|\|o 00\| \|\|eng c
035			\|a (DE-627)JST127904999
035			\|a (JST)steinbeckreview.14.2.0177
040			\|a DE-627 \|b ger \|c DE-627 \|e rakwb
041			\|a eng
100	1		\|a Barden, Thomas E. \|e verfasserin \|4 aut
245	1	0	\|a Race in Steinbeck's Novelette Lifeboat
264		1	\|c 2017
336			\|a Text \|b txt \|2 rdacontent
337			\|a Computermedien \|b c \|2 rdamedia
338			\|a Online-Ressource \|b cr \|2 rdacarrier
520			\|a Crooks, the stable hand in Steinbeck's Of Mice and Men, was the only black character Steinbeck created who was published. He created another black character, Joe, for his novelette Lifeboat, but Joe as Steinbeck wrote him never came before either a reading or movie-going public since his draft story was not used as the basis for the Alfred Hitchcock film.
540			\|a Copyright © 2017 by The Pennsylvania State University. All rights reserved.
650		4	\|a racism
650		4	\|a Lifeboat
650		4	\|a black characters
650		4	\|a heroism
650		4	\|a Applied sciences \|x Engineering \|x Transportation \|x Vehicles \|x Watercraft \|x Boats \|x Lifeboats
650		4	\|a Behavioral sciences \|x Anthropology \|x Applied anthropology \|x Cultural anthropology \|x Cultural studies \|x Film studies \|x Movies
650		4	\|a Behavioral sciences \|x Anthropology \|x Ethnology \|x Ethnic groups \|x American minorities \|x African Americans
650		4	\|a Arts \|x Art theory \|x Art criticism \|x Film criticism
650		4	\|a Arts \|x Literature \|x Literary elements \|x Narrative point of view \|x Narrators
650		4	\|a Economics \|x Economic disciplines \|x Labor economics \|x Employment \|x Occupations \|x Artists \|x Musicians
650		4	\|a Arts \|x High culture \|x Art music \|x Western art music \|x Instrumental music \|x Chamber music
650		4	\|a Arts \|x High culture \|x Art music
650		4	\|a Arts \|x Performing arts \|x Music \|x Musical instruments \|x Wind instruments \|x Flutes
650		4	\|a Behavioral sciences \|x Psychology \|x Personality psychology \|x Psychological attitudes \|x Stereotypes
650		4	\|a Applied sciences \|x Engineering \|x Transportation \|x Vehicles \|x Watercraft \|x Boats \|x Lifeboats
650		4	\|a Behavioral sciences \|x Anthropology \|x Applied anthropology \|x Cultural anthropology \|x Cultural studies \|x Film studies \|x Movies
650		4	\|a Behavioral sciences \|x Anthropology \|x Ethnology \|x Ethnic groups \|x American minorities \|x African Americans
650		4	\|a Arts \|x Art theory \|x Art criticism \|x Film criticism
650		4	\|a Arts \|x Literature \|x Literary elements \|x Narrative point of view \|x Narrators
650		4	\|a Economics \|x Economic disciplines \|x Labor economics \|x Employment \|x Occupations \|x Artists \|x Musicians
650		4	\|a Arts \|x High culture \|x Art music \|x Western art music \|x Instrumental music \|x Chamber music
650		4	\|a Arts \|x High culture \|x Art music
650		4	\|a Arts \|x Performing arts \|x Music \|x Musical instruments \|x Wind instruments \|x Flutes
650		4	\|a Behavioral sciences \|x Psychology \|x Personality psychology \|x Psychological attitudes \|x Stereotypes
655		4	\|a research-article
773	0	8	\|i Enthalten in \|t The Steinbeck Review \|d Pennsylvania State University Press, 2004 \|g 14(2017), 2, Seite 177-183 \|w (DE-627)538806044 \|w (DE-600)2381205-9 \|x 17546087 \|7 nnns
773	1	8	\|g volume:14 \|g year:2017 \|g number:2 \|g pages:177-183
856	4	0	\|u https://www.jstor.org/stable/10.5325/steinbeckreview.14.2.0177 \|3 Volltext
912			\|a GBV_USEFLAG_A
912			\|a SYSFLAG_A
912			\|a GBV_JST
912			\|a GBV_ILN_11
912			\|a GBV_ILN_20
912			\|a GBV_ILN_22
912			\|a GBV_ILN_24
912			\|a GBV_ILN_31
912			\|a GBV_ILN_39
912			\|a GBV_ILN_40
912			\|a GBV_ILN_60
912			\|a GBV_ILN_62
912			\|a GBV_ILN_63
912			\|a GBV_ILN_65
912			\|a GBV_ILN_70
912			\|a GBV_ILN_100
912			\|a GBV_ILN_110
912			\|a GBV_ILN_120
912			\|a GBV_ILN_165
912			\|a GBV_ILN_285
912			\|a GBV_ILN_374
912			\|a GBV_ILN_702
912			\|a GBV_ILN_2001
912			\|a GBV_ILN_2003
912			\|a GBV_ILN_2005
912			\|a GBV_ILN_2006
912			\|a GBV_ILN_2007
912			\|a GBV_ILN_2008
912			\|a GBV_ILN_2009
912			\|a GBV_ILN_2010
912			\|a GBV_ILN_2011
912			\|a GBV_ILN_2014
912			\|a GBV_ILN_2015
912			\|a GBV_ILN_2018
912			\|a GBV_ILN_2020
912			\|a GBV_ILN_2021
912			\|a GBV_ILN_2026
912			\|a GBV_ILN_2027
912			\|a GBV_ILN_2044
912			\|a GBV_ILN_2050
912			\|a GBV_ILN_2056
912			\|a GBV_ILN_2057
912			\|a GBV_ILN_2061
912			\|a GBV_ILN_2107
912			\|a GBV_ILN_2190
912			\|a GBV_ILN_2875
912			\|a GBV_ILN_2949
912			\|a GBV_ILN_2950
912			\|a GBV_ILN_4012
912			\|a GBV_ILN_4035
912			\|a GBV_ILN_4037
912			\|a GBV_ILN_4046
912			\|a GBV_ILN_4112
912			\|a GBV_ILN_4126
912			\|a GBV_ILN_4242
912			\|a GBV_ILN_4251
912			\|a GBV_ILN_4305
912			\|a GBV_ILN_4306
912			\|a GBV_ILN_4307
912			\|a GBV_ILN_4322
912			\|a GBV_ILN_4323
912			\|a GBV_ILN_4325
912			\|a GBV_ILN_4335
912			\|a GBV_ILN_4346
912			\|a GBV_ILN_4392
912			\|a GBV_ILN_4393
951			\|a AR
952			\|d 14 \|j 2017 \|e 2 \|h 177-183