|
|
|
|
LEADER |
01000caa a22002652 4500 |
001 |
JST127895574 |
003 |
DE-627 |
005 |
20240625110444.0 |
007 |
cr uuu---uuuuu |
008 |
210116s2017 xx |||||o 00| ||eng c |
024 |
7 |
|
|a 10.5325/arthmillj.12.1.0021
|2 doi
|
035 |
|
|
|a (DE-627)JST127895574
|
035 |
|
|
|a (JST)arthmillj.12.1.0021
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a eng
|
100 |
1 |
|
|a Leinster, Ciarán
|e verfasserin
|4 aut
|
245 |
1 |
0 |
|a Investigating the Real: Arthur Miller's Postmodernist Detectives
|
264 |
|
1 |
|c 2017
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
520 |
|
|
|a For all of the work that is published on Arthur Miller, very little seems to consider the potential for a postmodernist sensibility within his work. In this article, I argue that if we compare The New York Trilogy by Paul Auster to Miller's own detective plays, Some Kind of Love Story and Clara, then a new understanding of these plays can be reached through the lens of postmodernism. I contend that this latter phase of Miller's career began with The Archbishop's Ceiling, and draw on the work of Andrew Sofer and Ramón Espejo Romero, in particular, to advance my thesis that Miller's method of writing and thinking moved toward a postmodernist sensibility in his later years.
|
540 |
|
|
|a Copyright © 2017 by The Pennsylvania State University. All rights reserved.
|
650 |
|
4 |
|a postmodernism
|
650 |
|
4 |
|a The Archbishop's Ceiling
|
650 |
|
4 |
|a one-act plays
|
650 |
|
4 |
|a Paul Auster
|
650 |
|
4 |
|a Arts
|x Performing arts
|x Theater
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary modes
|x Literary postmodernism
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x History of philosophy
|x Postmodern philosophy
|
650 |
|
4 |
|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Artists
|x Writers
|
650 |
|
4 |
|a Linguistics
|x Language
|x Language acts
|x Wordplay
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary elements
|x Literary characters
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Fiction
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary elements
|x Literary characters
|x Protagonists
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Fiction
|x Mystery fiction
|x Detective fiction
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary studies
|x Literary history
|x Postmodern literature
|
650 |
|
4 |
|a Arts
|x Performing arts
|x Theater
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary modes
|x Literary postmodernism
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x History of philosophy
|x Postmodern philosophy
|
650 |
|
4 |
|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Artists
|x Writers
|
650 |
|
4 |
|a Linguistics
|x Language
|x Language acts
|x Wordplay
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary elements
|x Literary characters
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Fiction
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary elements
|x Literary characters
|x Protagonists
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Fiction
|x Mystery fiction
|x Detective fiction
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary studies
|x Literary history
|x Postmodern literature
|
655 |
|
4 |
|a research-article
|
773 |
0 |
8 |
|i Enthalten in
|t The Arthur Miller Journal
|d Pennsylvania State University Press, 2006
|g 12(2017), 1, Seite 21-32
|w (DE-627)776777785
|w (DE-600)2753389-X
|x 23333154
|7 nnns
|
773 |
1 |
8 |
|g volume:12
|g year:2017
|g number:1
|g pages:21-32
|
856 |
4 |
0 |
|u https://www.jstor.org/stable/10.5325/arthmillj.12.1.0021
|3 Volltext
|
856 |
4 |
0 |
|u https://doi.org/10.5325/arthmillj.12.1.0021
|3 Volltext
|
912 |
|
|
|a GBV_USEFLAG_A
|
912 |
|
|
|a SYSFLAG_A
|
912 |
|
|
|a GBV_JST
|
912 |
|
|
|a GBV_ILN_11
|
912 |
|
|
|a GBV_ILN_20
|
912 |
|
|
|a GBV_ILN_22
|
912 |
|
|
|a GBV_ILN_24
|
912 |
|
|
|a GBV_ILN_31
|
912 |
|
|
|a GBV_ILN_39
|
912 |
|
|
|a GBV_ILN_40
|
912 |
|
|
|a GBV_ILN_60
|
912 |
|
|
|a GBV_ILN_62
|
912 |
|
|
|a GBV_ILN_63
|
912 |
|
|
|a GBV_ILN_65
|
912 |
|
|
|a GBV_ILN_70
|
912 |
|
|
|a GBV_ILN_100
|
912 |
|
|
|a GBV_ILN_110
|
912 |
|
|
|a GBV_ILN_285
|
912 |
|
|
|a GBV_ILN_374
|
912 |
|
|
|a GBV_ILN_702
|
912 |
|
|
|a GBV_ILN_2001
|
912 |
|
|
|a GBV_ILN_2003
|
912 |
|
|
|a GBV_ILN_2005
|
912 |
|
|
|a GBV_ILN_2006
|
912 |
|
|
|a GBV_ILN_2007
|
912 |
|
|
|a GBV_ILN_2008
|
912 |
|
|
|a GBV_ILN_2009
|
912 |
|
|
|a GBV_ILN_2010
|
912 |
|
|
|a GBV_ILN_2011
|
912 |
|
|
|a GBV_ILN_2014
|
912 |
|
|
|a GBV_ILN_2015
|
912 |
|
|
|a GBV_ILN_2018
|
912 |
|
|
|a GBV_ILN_2020
|
912 |
|
|
|a GBV_ILN_2021
|
912 |
|
|
|a GBV_ILN_2026
|
912 |
|
|
|a GBV_ILN_2027
|
912 |
|
|
|a GBV_ILN_2044
|
912 |
|
|
|a GBV_ILN_2050
|
912 |
|
|
|a GBV_ILN_2056
|
912 |
|
|
|a GBV_ILN_2057
|
912 |
|
|
|a GBV_ILN_2061
|
912 |
|
|
|a GBV_ILN_2107
|
912 |
|
|
|a GBV_ILN_2190
|
912 |
|
|
|a GBV_ILN_2949
|
912 |
|
|
|a GBV_ILN_2950
|
912 |
|
|
|a GBV_ILN_2982
|
912 |
|
|
|a GBV_ILN_4012
|
912 |
|
|
|a GBV_ILN_4035
|
912 |
|
|
|a GBV_ILN_4037
|
912 |
|
|
|a GBV_ILN_4046
|
912 |
|
|
|a GBV_ILN_4112
|
912 |
|
|
|a GBV_ILN_4125
|
912 |
|
|
|a GBV_ILN_4126
|
912 |
|
|
|a GBV_ILN_4242
|
912 |
|
|
|a GBV_ILN_4251
|
912 |
|
|
|a GBV_ILN_4305
|
912 |
|
|
|a GBV_ILN_4306
|
912 |
|
|
|a GBV_ILN_4307
|
912 |
|
|
|a GBV_ILN_4322
|
912 |
|
|
|a GBV_ILN_4323
|
912 |
|
|
|a GBV_ILN_4325
|
912 |
|
|
|a GBV_ILN_4335
|
912 |
|
|
|a GBV_ILN_4346
|
912 |
|
|
|a GBV_ILN_4392
|
912 |
|
|
|a GBV_ILN_4393
|
951 |
|
|
|a AR
|
952 |
|
|
|d 12
|j 2017
|e 1
|h 21-32
|