|
|
|
|
LEADER |
01000caa a22002652 4500 |
001 |
JST127870229 |
003 |
DE-627 |
005 |
20240625110230.0 |
007 |
cr uuu---uuuuu |
008 |
210116s2017 xx |||||o 00| ||en c |
035 |
|
|
|a (DE-627)JST127870229
|
035 |
|
|
|a (JST)histmemo.29.1.0072
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a en
|
245 |
1 |
0 |
|a Picturing History, Remembering Soldiers: World War I Photography between the Public and the Private
|
264 |
|
1 |
|c 2017
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
520 |
|
|
|a The centennial anniversaries of World War I have prompted a boom in publications about the war, including many recent photographic compendiums that strive to document the war in visually appealing ways. This type of historical illustration, which often borders on sensationalism, threatens to conventionalize historical narratives of the war and obscure important ethical considerations of a current encounter with the war's violent past through images. This article draws on archival research into the personal photo albums of German soldiers in World War I to argue for an engagement with private memory of the war that can forge important empathic connections to the past as a way of adding needed nuance to the visual representation and present understanding of the war.
|
540 |
|
|
|a © 2017 Indiana University Press
|
650 |
|
4 |
|a World War I
|
650 |
|
4 |
|a photography
|
650 |
|
4 |
|a photo albums
|
650 |
|
4 |
|a historical empathy
|
650 |
|
4 |
|a private memory and public history
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|x War theaters
|x World wars
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Communications media
|x Print media
|x Books
|x Photograph albums
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed forces
|x Military personnel
|x Soldiers
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x Military history
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Communications media
|x Visual materials
|x Images
|x Photographs
|
650 |
|
4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Memory
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural institutions
|x Museums
|x Military museums
|x War museums
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x Narrative history
|
650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Portraits
|
650 |
|
4 |
|a Law
|x International law
|x International humanitarian law
|x Laws of war
|x Internment camps
|x Prisoner of war camps
|
655 |
|
4 |
|a research-article
|
773 |
0 |
8 |
|i Enthalten in
|t Transition
|d Indiana University Press, 1957
|g 29(2017), 1, Seite 72-103
|w (DE-627)306647273
|w (DE-600)1499150-0
|x 15278042
|7 nnns
|
773 |
1 |
8 |
|g volume:29
|g year:2017
|g number:1
|g pages:72-103
|
856 |
4 |
0 |
|u https://www.jstor.org/stable/10.2979/histmemo.29.1.0072
|3 Volltext
|
912 |
|
|
|a GBV_USEFLAG_A
|
912 |
|
|
|a SYSFLAG_A
|
912 |
|
|
|a GBV_JST
|
912 |
|
|
|a GBV_ILN_11
|
912 |
|
|
|a GBV_ILN_20
|
912 |
|
|
|a GBV_ILN_22
|
912 |
|
|
|a GBV_ILN_24
|
912 |
|
|
|a GBV_ILN_31
|
912 |
|
|
|a GBV_ILN_39
|
912 |
|
|
|a GBV_ILN_40
|
912 |
|
|
|a GBV_ILN_60
|
912 |
|
|
|a GBV_ILN_62
|
912 |
|
|
|a GBV_ILN_63
|
912 |
|
|
|a GBV_ILN_69
|
912 |
|
|
|a GBV_ILN_70
|
912 |
|
|
|a GBV_ILN_90
|
912 |
|
|
|a GBV_ILN_100
|
912 |
|
|
|a GBV_ILN_110
|
912 |
|
|
|a GBV_ILN_120
|
912 |
|
|
|a GBV_ILN_285
|
912 |
|
|
|a GBV_ILN_374
|
912 |
|
|
|a GBV_ILN_702
|
912 |
|
|
|a GBV_ILN_1200
|
912 |
|
|
|a GBV_ILN_2001
|
912 |
|
|
|a GBV_ILN_2003
|
912 |
|
|
|a GBV_ILN_2005
|
912 |
|
|
|a GBV_ILN_2006
|
912 |
|
|
|a GBV_ILN_2007
|
912 |
|
|
|a GBV_ILN_2008
|
912 |
|
|
|a GBV_ILN_2009
|
912 |
|
|
|a GBV_ILN_2010
|
912 |
|
|
|a GBV_ILN_2011
|
912 |
|
|
|a GBV_ILN_2014
|
912 |
|
|
|a GBV_ILN_2015
|
912 |
|
|
|a GBV_ILN_2018
|
912 |
|
|
|a GBV_ILN_2020
|
912 |
|
|
|a GBV_ILN_2021
|
912 |
|
|
|a GBV_ILN_2026
|
912 |
|
|
|a GBV_ILN_2027
|
912 |
|
|
|a GBV_ILN_2043
|
912 |
|
|
|a GBV_ILN_2044
|
912 |
|
|
|a GBV_ILN_2050
|
912 |
|
|
|a GBV_ILN_2056
|
912 |
|
|
|a GBV_ILN_2057
|
912 |
|
|
|a GBV_ILN_2061
|
912 |
|
|
|a GBV_ILN_2093
|
912 |
|
|
|a GBV_ILN_2107
|
912 |
|
|
|a GBV_ILN_2111
|
912 |
|
|
|a GBV_ILN_2190
|
912 |
|
|
|a GBV_ILN_2875
|
912 |
|
|
|a GBV_ILN_2932
|
912 |
|
|
|a GBV_ILN_2945
|
912 |
|
|
|a GBV_ILN_2949
|
912 |
|
|
|a GBV_ILN_2950
|
912 |
|
|
|a GBV_ILN_4012
|
912 |
|
|
|a GBV_ILN_4035
|
912 |
|
|
|a GBV_ILN_4037
|
912 |
|
|
|a GBV_ILN_4046
|
912 |
|
|
|a GBV_ILN_4112
|
912 |
|
|
|a GBV_ILN_4126
|
912 |
|
|
|a GBV_ILN_4242
|
912 |
|
|
|a GBV_ILN_4251
|
912 |
|
|
|a GBV_ILN_4305
|
912 |
|
|
|a GBV_ILN_4306
|
912 |
|
|
|a GBV_ILN_4307
|
912 |
|
|
|a GBV_ILN_4313
|
912 |
|
|
|a GBV_ILN_4322
|
912 |
|
|
|a GBV_ILN_4323
|
912 |
|
|
|a GBV_ILN_4324
|
912 |
|
|
|a GBV_ILN_4325
|
912 |
|
|
|a GBV_ILN_4326
|
912 |
|
|
|a GBV_ILN_4335
|
912 |
|
|
|a GBV_ILN_4346
|
912 |
|
|
|a GBV_ILN_4393
|
912 |
|
|
|a GBV_ILN_4700
|
951 |
|
|
|a AR
|
952 |
|
|
|d 29
|j 2017
|e 1
|h 72-103
|