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|a (DE-627)JST127869921
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|a (JST)filmhistory.29.4.02
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|a DE-627
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|a en
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|a On Deadline and Reviewed in Pieces: The Miracle of Morgan's Creek and the Production Code Administration
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|c 2017
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|a Though historians possess a considerable understanding of how Hollywood's Production Code Administration (PCA) reviewed and regulated film content during the classical era, less attention has been paid to situations where studios submitted scripts in piecemeal fashion, or when production began without a review of the entire script. This essay draws upon archival records to examine how such a scenario enabled The Miracle of Morgan's Creek (1944) to enjoy a looser PCA review process. Chronologically organizing production records, script rewrites, and PCA correspondence reveals specific ways in which writer-director Preston Sturges diluted the PCA's power, resulting in a controversial finished film that faced sharp criticism from government and religious groups.
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|a © 2017 Trustees of Indiana University
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|a Preston Sturges
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|a Production Code Administration
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|a censorship
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|a alcohol
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|a pregnancy
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|a military
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|a Arts
|x Performing arts
|x Theater
|x Stagecraft
|x Scripts
|x Screenplays
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
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|a Business
|x Industry
|x Industrial sectors
|x Cultural industries
|x Entertainment industries
|x Motion picture industry
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|a Arts
|x Art theory
|x Art criticism
|x Film criticism
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|a Social sciences
|x Communications
|x Censorship
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|a Political science
|x Military science
|x Armed conflict
|x War
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|a Political science
|x Military science
|x Armed forces
|x Military personnel
|x Soldiers
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|a Business
|x Business economics
|x Commercial production
|x Production resources
|x Resource management
|x Time management
|x Deadlines
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|a Health sciences
|x Medical conditions
|x Disorders
|x Drug dependence
|x Substance abuse
|x Alcohol abuse
|x Drunkenness
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|a Political science
|x Military science
|x Armed conflict
|x War
|x War theaters
|x World wars
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4 |
|a Arts
|x Performing arts
|x Theater
|x Stagecraft
|x Scripts
|x Screenplays
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|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
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650 |
|
4 |
|a Business
|x Industry
|x Industrial sectors
|x Cultural industries
|x Entertainment industries
|x Motion picture industry
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650 |
|
4 |
|a Arts
|x Art theory
|x Art criticism
|x Film criticism
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Censorship
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650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
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650 |
|
4 |
|a Political science
|x Military science
|x Armed forces
|x Military personnel
|x Soldiers
|
650 |
|
4 |
|a Business
|x Business economics
|x Commercial production
|x Production resources
|x Resource management
|x Time management
|x Deadlines
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650 |
|
4 |
|a Health sciences
|x Medical conditions
|x Disorders
|x Drug dependence
|x Substance abuse
|x Alcohol abuse
|x Drunkenness
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|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|x War theaters
|x World wars
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|a research-article
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|i Enthalten in
|t Transition
|d Indiana University Press, 1957
|g 29(2017), 4, Seite 32-58
|w (DE-627)306647273
|w (DE-600)1499150-0
|x 15278042
|7 nnns
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|g volume:29
|g year:2017
|g number:4
|g pages:32-58
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|u https://www.jstor.org/stable/10.2979/filmhistory.29.4.02
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|d 29
|j 2017
|e 4
|h 32-58
|