Situating self-precarisation: cultural production, subjectification and resistance in kleines postfordistisches Drama's Kamera Läuft!

Situating self-precarisation: cultural production, subjectification and resistance in kleines postfordistisches Drama's Kamera Läuft!

In the current conditions of governance, cultural producers seem to willingly subordinate themselves to the dispositions of power, by aligning to the neoliberal model of labour through the adoption of entrepreneurial self-practices. This artic...

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Veröffentlicht in:World Review of Political Economy. - Pluto Journals. - 11(2017), 1, Seite 71-86
Format: Online-Aufsatz
Veröffentlicht: 2017
Zugriff auf das übergeordnete Werk:World Review of Political Economy
Schlagworte:Philosophy Behavioral sciences Economics Business Social sciences Arts
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520 |a In the current conditions of governance, cultural producers seem to willingly subordinate themselves to the dispositions of power, by aligning to the neoliberal model of labour through the adoption of entrepreneurial self-practices. This article explores how the concept of ‘self-precarisation’ is debated and negotiated through Kamera Läuft! (Camera Rolling!), a video project made in 2004 by the Berlin-based group kleines postfordistisches Drama (Small postFordist Drama). Situating the everyday lived experiences of cultural producers in a public sphere, kleines postfordistisches Drama problematises the possibilities for critical agency and collective resistance under the conscious and voluntary acceptance of precarious labour in the 21st century. 
540 |a © Sarah Charalambides, 2017 
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