"Running with the Hounds": The Nazi Pygmalion

The 1941 Berlin-based Prussian State Theater production of Bernard Shaw's Pygmalion sheds light on the popularity of Shaw in Third Reich Germany, the playwright's conflicted politics, and the complex and often-contradictory forces at work in National Socialist cultural policy. Providing ba...

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Bibliographische Detailangaben
Veröffentlicht in:Shaw. - Pennsylvania State University Press, 1981. - 35(2015), 2, Seite 185-212
1. Verfasser: Conolly-Smith, Peter (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2015
Zugriff auf das übergeordnete Werk:Shaw
Schlagworte:Arts Political science Social sciences Behavioral sciences Economics Business
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520 |a The 1941 Berlin-based Prussian State Theater production of Bernard Shaw's Pygmalion sheds light on the popularity of Shaw in Third Reich Germany, the playwright's conflicted politics, and the complex and often-contradictory forces at work in National Socialist cultural policy. Providing background on Pygmalion's long-standing popularity among German audiences, this essay's analysis of the lavish 1941 production draws on contemporary press coverage as well as on the director's hand-annotated script in order to examine Shaw's complicated relationship with the Third Reich. 
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