|
|
|
|
LEADER |
01000caa a22002652 4500 |
001 |
JST125557582 |
003 |
DE-627 |
005 |
20240625091310.0 |
007 |
cr uuu---uuuuu |
008 |
190215s2015 xx |||||o 00| ||eng c |
024 |
7 |
|
|a 10.5325/intelitestud.17.1.0001
|2 doi
|
035 |
|
|
|a (DE-627)JST125557582
|
035 |
|
|
|a (JST)intelitestud.17.1.0001
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a eng
|
100 |
1 |
|
|a SAZZAD, REHNUMA
|e verfasserin
|4 aut
|
245 |
1 |
0 |
|a Mahmoud Darwish:
|b Writing as an Artistic Sanctuary
|
264 |
|
1 |
|c 2015
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
520 |
|
|
|a Darwish's poetry transcends the national boundary to highlight universal values of life and love through mirroring the Palestinian tragedy. This is well reflected in Memory and "The Hoopoe." By discussing the stylistic and thematic aspects of the prose poetry and the poem, I highlight Darwish's steadfast commitment to truth and beauty. My discussion aims at demarcating the transition taking place in Darwish's poetic universe toward a more metaphysically poised aesthetics. At the same time, I show how his aesthetics did not allow him to abandon his hope for a better future in his conflict-stricken land. In the end, his language gives him the guarantee of a metaphorical abode in the absence of a physical one, since his poetry upholds the humanist values he stands for.
|
540 |
|
|
|a Copyright © 2015 by The Pennsylvania State University. All rights reserved.
|
650 |
|
4 |
|a memory
|
650 |
|
4 |
|a Israel's invasion of Lebanon
|
650 |
|
4 |
|a exile
|
650 |
|
4 |
|a mysticism
|
650 |
|
4 |
|a transcendence
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x Biography
|x Memoirs
|
650 |
|
4 |
|a Philosophy
|x Metaphysics
|x Philosophy of mind
|x Concept of mind
|x Consciousness theory
|x Monopsychism
|x Soul
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|x Warfare
|x Conventional warfare
|x Ground warfare
|x Sieges
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary devices
|x Allegory
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Narrative poetry
|
650 |
|
4 |
|a Law
|x Criminal law
|x Criminal justice
|x Criminal punishment
|x Exile
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Poetic meter
|
650 |
|
4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Memory
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Love poetry
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x Biography
|x Memoirs
|
650 |
|
4 |
|a Philosophy
|x Metaphysics
|x Philosophy of mind
|x Concept of mind
|x Consciousness theory
|x Monopsychism
|x Soul
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|x Warfare
|x Conventional warfare
|x Ground warfare
|x Sieges
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary devices
|x Allegory
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Narrative poetry
|
650 |
|
4 |
|a Law
|x Criminal law
|x Criminal justice
|x Criminal punishment
|x Exile
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Poetic meter
|
650 |
|
4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Memory
|
650 |
|
4 |
|a Arts
|x Literature
|x Literary genres
|x Poetry
|x Love poetry
|
655 |
|
4 |
|a research-article
|
773 |
0 |
8 |
|i Enthalten in
|t Interdisciplinary Literary Studies
|d Pennsylvania State University Press, 1999
|g 17(2015), 1, Seite 1-18
|w (DE-627)688340024
|w (DE-600)2654594-9
|x 2161427X
|7 nnns
|
773 |
1 |
8 |
|g volume:17
|g year:2015
|g number:1
|g pages:1-18
|
856 |
4 |
0 |
|u https://www.jstor.org/stable/10.5325/intelitestud.17.1.0001
|3 Volltext
|
856 |
4 |
0 |
|u https://doi.org/10.5325/intelitestud.17.1.0001
|3 Volltext
|
912 |
|
|
|a GBV_USEFLAG_A
|
912 |
|
|
|a SYSFLAG_A
|
912 |
|
|
|a GBV_JST
|
912 |
|
|
|a GBV_ILN_11
|
912 |
|
|
|a GBV_ILN_20
|
912 |
|
|
|a GBV_ILN_22
|
912 |
|
|
|a GBV_ILN_24
|
912 |
|
|
|a GBV_ILN_31
|
912 |
|
|
|a GBV_ILN_39
|
912 |
|
|
|a GBV_ILN_40
|
912 |
|
|
|a GBV_ILN_60
|
912 |
|
|
|a GBV_ILN_62
|
912 |
|
|
|a GBV_ILN_63
|
912 |
|
|
|a GBV_ILN_65
|
912 |
|
|
|a GBV_ILN_70
|
912 |
|
|
|a GBV_ILN_100
|
912 |
|
|
|a GBV_ILN_110
|
912 |
|
|
|a GBV_ILN_120
|
912 |
|
|
|a GBV_ILN_165
|
912 |
|
|
|a GBV_ILN_285
|
912 |
|
|
|a GBV_ILN_374
|
912 |
|
|
|a GBV_ILN_702
|
912 |
|
|
|a GBV_ILN_1200
|
912 |
|
|
|a GBV_ILN_2001
|
912 |
|
|
|a GBV_ILN_2003
|
912 |
|
|
|a GBV_ILN_2005
|
912 |
|
|
|a GBV_ILN_2006
|
912 |
|
|
|a GBV_ILN_2007
|
912 |
|
|
|a GBV_ILN_2008
|
912 |
|
|
|a GBV_ILN_2009
|
912 |
|
|
|a GBV_ILN_2010
|
912 |
|
|
|a GBV_ILN_2011
|
912 |
|
|
|a GBV_ILN_2014
|
912 |
|
|
|a GBV_ILN_2015
|
912 |
|
|
|a GBV_ILN_2018
|
912 |
|
|
|a GBV_ILN_2020
|
912 |
|
|
|a GBV_ILN_2021
|
912 |
|
|
|a GBV_ILN_2026
|
912 |
|
|
|a GBV_ILN_2027
|
912 |
|
|
|a GBV_ILN_2044
|
912 |
|
|
|a GBV_ILN_2050
|
912 |
|
|
|a GBV_ILN_2056
|
912 |
|
|
|a GBV_ILN_2057
|
912 |
|
|
|a GBV_ILN_2061
|
912 |
|
|
|a GBV_ILN_2107
|
912 |
|
|
|a GBV_ILN_2190
|
912 |
|
|
|a GBV_ILN_2875
|
912 |
|
|
|a GBV_ILN_2949
|
912 |
|
|
|a GBV_ILN_2950
|
912 |
|
|
|a GBV_ILN_4012
|
912 |
|
|
|a GBV_ILN_4035
|
912 |
|
|
|a GBV_ILN_4037
|
912 |
|
|
|a GBV_ILN_4046
|
912 |
|
|
|a GBV_ILN_4112
|
912 |
|
|
|a GBV_ILN_4126
|
912 |
|
|
|a GBV_ILN_4242
|
912 |
|
|
|a GBV_ILN_4251
|
912 |
|
|
|a GBV_ILN_4305
|
912 |
|
|
|a GBV_ILN_4306
|
912 |
|
|
|a GBV_ILN_4307
|
912 |
|
|
|a GBV_ILN_4322
|
912 |
|
|
|a GBV_ILN_4323
|
912 |
|
|
|a GBV_ILN_4325
|
912 |
|
|
|a GBV_ILN_4326
|
912 |
|
|
|a GBV_ILN_4335
|
912 |
|
|
|a GBV_ILN_4346
|
912 |
|
|
|a GBV_ILN_4392
|
912 |
|
|
|a GBV_ILN_4393
|
951 |
|
|
|a AR
|
952 |
|
|
|d 17
|j 2015
|e 1
|h 1-18
|