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|a 10.5325/eugeoneirevi.36.1.0029
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|a (JST)eugeoneirevi.36.1.0029
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|a DE-627
|b ger
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|a eng
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|a Callens, Johan
|e verfasserin
|4 aut
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|a Recalibrating O'Neill's Modern Tragedy:
|b Staging Long Day's Journey Into Night in the Low Countries
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|c 2015
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|a Text
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|a Theater audiences in the Low Countries in the fall of 2013 had the opportunity to see two concurrent productions of Eugene O'Neill's Long Day's Journey Into Night: a condensed adaptation directed by Peter Monsaert for Theater Antigone, Kortrijk, and a more traditional one directed by Ivo van Hove for Toneelgroep Amsterdam. Starting from the directorial concepts and scenographies of both productions, for which respectively Giovanni Vanhoenacker and Jan Versweyveld designed, this article explores earlier theater historical models and contemporary influences (Irving, Yeats, and Ibsen) in order to elucidate these productions' readjustments of O'Neill's tragic dramaturgy.
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|a Copyright © 2015 by The Pennsylvania State University. All rights reserved.
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|a Ivo van Hove
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|a Jan Versweyveld
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|a Peter Monsaert
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|a Giovanni Vanhoenacker
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|a Henry Irving
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|a William Butler Yeats
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|a Henrik Ibsen
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|a Randy Newman
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|a gyre
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|a melodrama
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|a tragedy
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|a new drama
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|a reality show
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|a The Bells
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|a Ghosts
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|a Arts
|x Performing arts
|x Theater
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|a Social sciences
|x Communications
|x Written communication
|x Writing
|x Playwriting
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|a Arts
|x Performing arts
|x Theater
|x Theater history
|x Theatrical genres
|x Tragic theater
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|a Arts
|x Performing arts
|x Theater
|x Theater history
|x Theatrical genres
|x Melodrama
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|a Social sciences
|x Population studies
|x Human populations
|x Persons
|x Women
|x Mothers
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|a Social sciences
|x Communications
|x Mass communication
|x Mass media
|x Broadcast media
|x Television
|x Television programs
|x Reality shows
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|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Artists
|x Performing artists
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|a Arts
|x Performing arts
|x Acting
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|a Arts
|x Literature
|x Literary studies
|x Literary history
|x Literary modernism
|x Modernist drama
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|a Business
|x Industry
|x Industrial sectors
|x Manufacturing industries
|x Consumer goods industries
|x Clothing industry
|x Clothing
|x Womens apparel
|x Dresses
|x Wedding dresses
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|a Arts
|x Performing arts
|x Theater
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|a Social sciences
|x Communications
|x Written communication
|x Writing
|x Playwriting
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|
4 |
|a Arts
|x Performing arts
|x Theater
|x Theater history
|x Theatrical genres
|x Tragic theater
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|
4 |
|a Arts
|x Performing arts
|x Theater
|x Theater history
|x Theatrical genres
|x Melodrama
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|
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|a Social sciences
|x Population studies
|x Human populations
|x Persons
|x Women
|x Mothers
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4 |
|a Social sciences
|x Communications
|x Mass communication
|x Mass media
|x Broadcast media
|x Television
|x Television programs
|x Reality shows
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|
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|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Artists
|x Performing artists
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|a Arts
|x Performing arts
|x Acting
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4 |
|a Arts
|x Literature
|x Literary studies
|x Literary history
|x Literary modernism
|x Modernist drama
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|
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|a Business
|x Industry
|x Industrial sectors
|x Manufacturing industries
|x Consumer goods industries
|x Clothing industry
|x Clothing
|x Womens apparel
|x Dresses
|x Wedding dresses
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|a research-article
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|i Enthalten in
|t The Eugene O'Neill Review
|d Pennsylvania State University Press, 1989
|g 36(2015), 1, Seite 29-47
|w (DE-627)518100065
|w (DE-600)2251244-5
|x 21614318
|7 nnns
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|g volume:36
|g year:2015
|g number:1
|g pages:29-47
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|u https://www.jstor.org/stable/10.5325/eugeoneirevi.36.1.0029
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|d 36
|j 2015
|e 1
|h 29-47
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