Class and Anticolonial Politics in Harold Pinter and Joseph Losey's The Servant
Critics of The Servant (1963), based on the 1948 novel by Robin Maugham, have not examined the London-set film's many allusions to the global South. However, the screenwriter's and director's archives as well as many aspects of the film — including wardrobe, set design, music, and dia...
| Veröffentlicht in: | jml: Journal of Modern Literature. - Indiana University Press, 1970. - 38(2015), 4, Seite 147-167 |
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| Format: | Online-Aufsatz |
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2015
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| Zugriff auf das übergeordnete Werk: | jml: Journal of Modern Literature |
| Schlagworte: | Harold Pinter Joseph Losey Robin Maugham anticolonial politics film adaptations Economics Behavioral sciences Arts Business |