SPIRITUALITY , ATROCITIES ANDIT– GERMAN IMAGES OF INDIA

ABSTRACT Imaginations of India have been an important ingredient of the German literary and media landscape since the end of the 18th century. Though they are highly diverse, these images are equally often emotionally charged and situated somewhere between euphoric glorifications and deprecating con...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:Politeja. - Księgarnia Akademicka. - (2016), 40, Seite 85-104
1. Verfasser: BRANDT, Carmen (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2016
Zugriff auf das übergeordnete Werk:Politeja
Schlagworte:Cultural Studies German Perception of India Imaginations Intercultural Relations Social sciences Business Behavioral sciences Arts
LEADER 01000caa a22002652 4500
001 JST119661977
003 DE-627
005 20240625042342.0
007 cr uuu---uuuuu
008 180617s2016 xx |||||o 00| ||eng c
035 |a (DE-627)JST119661977 
035 |a (JST)24920197 
040 |a DE-627  |b ger  |c DE-627  |e rakwb 
041 |a eng 
100 1 |a BRANDT, Carmen  |e verfasserin  |4 aut 
245 1 0 |a SPIRITUALITY , ATROCITIES ANDIT– GERMAN IMAGES OF INDIA 
264 1 |c 2016 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a ABSTRACT Imaginations of India have been an important ingredient of the German literary and media landscape since the end of the 18th century. Though they are highly diverse, these images are equally often emotionally charged and situated somewhere between euphoric glorifications and deprecating condemnations. When Germany and India were celebrating the 60thanniversary of their diplomatic relations, the time had come to investigate why Germans until today, even in the so-called age of information, have so diverse perceptions of India. By reference to the three dominant German images of India, this article seeks to understand the various factors that influence our perception of another culture. 
650 4 |a Cultural Studies 
650 4 |a German Perception of India 
650 4 |a Imaginations 
650 4 |a Intercultural Relations 
650 4 |a Social sciences  |x Communications  |x Communications media  |x Visual materials  |x Images 
650 4 |a Business  |x Business administration  |x Corporate communications  |x External corporate communications  |x Marketing  |x Branding  |x Brand identification  |x Brand image 
650 4 |a Behavioral sciences  |x Anthropology  |x Ethnology  |x Ethnography  |x Asian studies  |x South Asian studies  |x India studies  |x Indian literature 
650 4 |a Arts  |x Art history  |x Art genres and movements  |x Romantic art 
650 4 |a Behavioral sciences  |x Anthropology  |x Ethnology  |x Ethnography  |x Asian studies  |x South Asian studies  |x India studies  |x Indian culture 
650 4 |a Behavioral sciences  |x Anthropology  |x Ethnology  |x Ethnography  |x Asian studies  |x South Asian studies 
650 4 |a Behavioral sciences  |x Anthropology  |x Ethnology  |x Ethnic groups  |x Ethnoreligious groups  |x Hindus 
650 4 |a Arts  |x Literature  |x Literary studies  |x Comparative literature  |x World literature  |x German literature 
650 4 |a Arts  |x Visual arts  |x Graphic arts  |x Image editing  |x Image contrast 
650 4 |a Arts  |x Literature  |x Literary studies  |x Literary criticism  |x ARTICLES  |x CULTURE 
655 4 |a research-article 
773 0 8 |i Enthalten in  |t Politeja  |d Księgarnia Akademicka  |g (2016), 40, Seite 85-104  |w (DE-627)718590007  |w (DE-600)2659135-2  |x 23916737  |7 nnns 
773 1 8 |g year:2016  |g number:40  |g pages:85-104 
856 4 0 |u https://www.jstor.org/stable/24920197  |3 Volltext 
912 |a GBV_USEFLAG_A 
912 |a SYSFLAG_A 
912 |a GBV_JST 
912 |a GBV_ILN_11 
912 |a GBV_ILN_20 
912 |a GBV_ILN_22 
912 |a GBV_ILN_23 
912 |a GBV_ILN_24 
912 |a GBV_ILN_31 
912 |a GBV_ILN_32 
912 |a GBV_ILN_39 
912 |a GBV_ILN_40 
912 |a GBV_ILN_60 
912 |a GBV_ILN_62 
912 |a GBV_ILN_63 
912 |a GBV_ILN_65 
912 |a GBV_ILN_69 
912 |a GBV_ILN_70 
912 |a GBV_ILN_73 
912 |a GBV_ILN_95 
912 |a GBV_ILN_100 
912 |a GBV_ILN_105 
912 |a GBV_ILN_110 
912 |a GBV_ILN_120 
912 |a GBV_ILN_121 
912 |a GBV_ILN_150 
912 |a GBV_ILN_151 
912 |a GBV_ILN_161 
912 |a GBV_ILN_165 
912 |a GBV_ILN_206 
912 |a GBV_ILN_213 
912 |a GBV_ILN_224 
912 |a GBV_ILN_230 
912 |a GBV_ILN_285 
912 |a GBV_ILN_293 
912 |a GBV_ILN_370 
912 |a GBV_ILN_374 
912 |a GBV_ILN_602 
912 |a GBV_ILN_636 
912 |a GBV_ILN_647 
912 |a GBV_ILN_702 
912 |a GBV_ILN_2001 
912 |a GBV_ILN_2003 
912 |a GBV_ILN_2005 
912 |a GBV_ILN_2006 
912 |a GBV_ILN_2007 
912 |a GBV_ILN_2008 
912 |a GBV_ILN_2009 
912 |a GBV_ILN_2010 
912 |a GBV_ILN_2011 
912 |a GBV_ILN_2014 
912 |a GBV_ILN_2015 
912 |a GBV_ILN_2018 
912 |a GBV_ILN_2020 
912 |a GBV_ILN_2021 
912 |a GBV_ILN_2025 
912 |a GBV_ILN_2026 
912 |a GBV_ILN_2027 
912 |a GBV_ILN_2036 
912 |a GBV_ILN_2037 
912 |a GBV_ILN_2039 
912 |a GBV_ILN_2043 
912 |a GBV_ILN_2044 
912 |a GBV_ILN_2050 
912 |a GBV_ILN_2055 
912 |a GBV_ILN_2056 
912 |a GBV_ILN_2057 
912 |a GBV_ILN_2059 
912 |a GBV_ILN_2061 
912 |a GBV_ILN_2065 
912 |a GBV_ILN_2093 
912 |a GBV_ILN_2107 
912 |a GBV_ILN_2113 
912 |a GBV_ILN_2129 
912 |a GBV_ILN_2153 
912 |a GBV_ILN_2190 
912 |a GBV_ILN_2446 
912 |a GBV_ILN_2470 
912 |a GBV_ILN_2507 
912 |a GBV_ILN_2863 
912 |a GBV_ILN_2949 
912 |a GBV_ILN_2950 
912 |a GBV_ILN_4012 
912 |a GBV_ILN_4035 
912 |a GBV_ILN_4037 
912 |a GBV_ILN_4046 
912 |a GBV_ILN_4112 
912 |a GBV_ILN_4125 
912 |a GBV_ILN_4126 
912 |a GBV_ILN_4242 
912 |a GBV_ILN_4246 
912 |a GBV_ILN_4249 
912 |a GBV_ILN_4251 
912 |a GBV_ILN_4277 
912 |a GBV_ILN_4305 
912 |a GBV_ILN_4306 
912 |a GBV_ILN_4307 
912 |a GBV_ILN_4313 
912 |a GBV_ILN_4322 
912 |a GBV_ILN_4323 
912 |a GBV_ILN_4324 
912 |a GBV_ILN_4325 
912 |a GBV_ILN_4326 
912 |a GBV_ILN_4335 
912 |a GBV_ILN_4338 
912 |a GBV_ILN_4346 
912 |a GBV_ILN_4367 
912 |a GBV_ILN_4392 
912 |a GBV_ILN_4393 
912 |a GBV_ILN_4700 
951 |a AR 
952 |j 2016  |e 40  |h 85-104