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|a ELSE, FELICIA M.
|e verfasserin
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|a Controlling the Waters of Granducal Florence: A New Look at Stefano Bonsignori's View of the City (1584)
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|c 2009
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|a A striking feature of Stefano Bonsignori's Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata, printed in 1584, is the pre-eminence of the Arno River and the detailed depiction of a variety of often quite minor water-related structures. This large (nine-sheet) map was dedicated to Francesco I de' Medici, Granduke of Florence. Contemporary initiatives and legislation as well as works of art and literature reveal that water management had been an important aspect of the policies of Francesco's father, Cosimo I, whose achievements had transformed the city's landscape and whose efforts earned the Medici ruler the title of Granduke of Tuscany in 1569. Bonsignori's portrayal of urban structures was created as a celebration of Cosimo's architectural legacy, and the depiction of the Arno, with its embankments and riverside structures, along with some of the city's fountains and wells, acknowledged granducal ambition to control its waters. Un caractère frappant de Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata de Stefano Bonsignori, imprimé en 1584, est la prééminence de l'Arno et la description détaillée de constructions variées et souvent mineures liées à l'eau. Cette large carte (en neuf feuilles) était dédiée à Fraçois Ier de Médicis, Grand-Duc de Florence. Des initiatives et des lois de l'époque, ainsi que des œuvres littéraires et artistiques, nous montrent que la gestion de l'eau avait été un aspect important de la politique du père de François, Cosimo Ier, dont les réalisations avaient transformé le paysage de la ville et dont les efforts avaient valu au dirigeant Médicis le titre de Grand-Duc de Toscane en 1569. Le portrait des structures urbaines par Bonsignori fut conçu comme une célébration de l'héritage architectural de Cosimo, et la description de l'Arno, avec ses quais et les constructions de ses berges, ainsi que quelques fontaines et puits de la ville, témoigne de l'ambition grandducale de contrôler ses eaux. Ein hervorstechendes Element in Stefano Bonsignoris Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata (gedruckt 1584) bilden der Arno-Fluss und die detaillierte Darstellung einer Vielzahl von oft untergeordneten Strukturen, die mit Wasser in Verbindung stehen. Die aus neun Blättern bestehende, große Karte war Francesco I. Medici, Großherzog von Florenz gewidmet. Zeitgenössische Eingaben und Rechtsfälle sowie Werke der bildenden Kunst und der Literatur lassen erkennen, dass die Verwaltung des Wassers einen bedeutenden Aspekt im Regierungshandeln von Francescos Vater Cosimo I. darstellte. Dieser veränderte die Stadtlandschaft und sein Wirken brachte den Mediciherrschern 1569 den Titel von Großherzögen der Toskana ein. Bonsignoris Portrait der urbanen Strukturen war als Verherrlichung von Cosimos architektonischem Vermächtnis angelegt. Die Darstellung des Arno mit seinen Dämmen und Ufern sowie einigen der städtischen Brunnen untermauerte die Großherzoglichen Ambitionen, das Wasser der Stadt zu kontrollieren. Una característica llamativa del Nova pulcherrimae civitatis Florentiae topographia accuratissime delineata de Stefano Bonsignori, impresa en 1584, es la preeminencia del Río Arno y la representación detallada de una variedad de estructuras relacionadas con el agua, a menudo bastante secundarias. Este mapa de gran tamaño (nueve pliegos) estaba dedicado a Francisco I de Medici, gran duque de Florencia. Las iniciativas y legislación contemporáneas, así como los trabajos artísticos y literarios revelan que la gestión del agua había sido un aspecto importante de la política del padre de Francisco, Cosme I, cuyos logros habían transformado el paisaje urbano y cuyos esfuerzos le hicieron ganar al gobernador Medici el título de gran duque de Toscana en 1569. La interpretación de Bonsignori de las estructuras urbanas fue realizada para celebrar el legado arquitectónico de Cosme, y la representación del Arno, con sus diques y estructuras a orillas del río, junto con algunas de las fuentes y pozos de la ciudad, reconocía la ambición del gran duque de controlar sus aguas.
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|a Copyright © 2009 Imago Mundi Ltd.
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural institutions
|x Libraries
|x Special libraries
|x Map libraries
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|a Physical sciences
|x Earth sciences
|x Geography
|x Geodesy
|x Cartography
|x Maps
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|a Arts
|x Applied arts
|x Architecture
|x Architectural elements
|x Decorative architecture
|x Fountains
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|a Social sciences
|x Human geography
|x Political geography
|x Metropolitan areas
|x Cities
|x City districts
|x City squares
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|a Social sciences
|x Human geography
|x Political geography
|x Metropolitan areas
|x Cities
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|a Arts
|x Visual arts
|x Plastic arts
|x Sculpture
|x Sculpture in the round
|x Statues
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|a Physical sciences
|x Earth sciences
|x Geography
|x Geomorphology
|x Bodies of water
|x Rivers
|x River water
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|a Physical sciences
|x Earth sciences
|x Geography
|x Geomorphology
|x Bodies of water
|x Rivers
|x Riverbanks
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|a Business
|x Industry
|x Industrial sectors
|x Manufacturing industries
|x Milling industry
|x Mills
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|a Applied sciences
|x Engineering
|x Civil engineering
|x Geotechnical engineering
|x Embankments
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|a research-article
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|i Enthalten in
|t Imago Mundi
|d Imago Mundi, Ltd.
|g 61(2009), 2, Seite 168-185
|w (DE-627)376830689
|w (DE-600)2131358-1
|x 14797801
|7 nnns
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|g volume:61
|g year:2009
|g number:2
|g pages:168-185
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|u http://dx.doi.org/10.1080/03085690902923598
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|d 61
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