| Zusammenfassung: | Located at the interface between contemporary archaeology, cultural and historical geography, this essay explores the 'more-than-representational' nature of memory as embodied and haunted by the spectral. Focusing on the post-industrial landscape of the Royal Forest of Dean, I narrate a walk undertaken in November 2008 with local resident, Ron Beard, as we sought to re-trace an old miners' path. Histories of the landscape unfolded as we walked. Yet they also revealed a haunting sense of loss, a fragmented remembering and forgetting that was unsettled by ghosts from the past. For memory is born of strange and uncanny associations, inexplicable connections between times and places that erupt into the present without warning. As such, memory demands new ways of writing; narratives that better cope with our fragile and contingent recollections, disclosing the haunting presence-absence of the spectral in all its shapes, apparitions and phantasms. I begin by pursuing the idea that memory is more-than-representational. I go on to explore the recurrent manifestation of the spectral, which disturbs, displaces and conditions our understanding of space and time, absence and presence. Developing the argument that alternative styles of writing are needed to reveal the true nature of memory and our haunting engagements with the past – while at the same time accepting Wylie's assertion that spectral geographies should themselves be spectral – I consider the work of Walter Benjamin and W.G. Sebald, which, through devices such as literary montage, biography and phantasmagoria, successfully unsettles, disrupts and enlivens. Taking stylistic inspiration from these great writers, the 'Long Path' is narrated in a non-conventional academic style that seeks itself to displace settled orders of space and time, to reveal the revenant trace of the spectre.
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