The Master as Monument: Titian and his Images
This paper examines the problematic rôle of Titian as the synecdoche of Venetian tradition, or as its perfected telos. The older Titian seems to have understood himself in this way, as is evident from the steady flow of idealising self-portraits and other depictions of him from the mature and later...
Veröffentlicht in: | Artibus et Historiae. - IRSA. - 34(2013), 67, Seite 219-238 |
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Format: | Online-Aufsatz |
Sprache: | English |
Veröffentlicht: |
2013
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Zugriff auf das übergeordnete Werk: | Artibus et Historiae |
Schlagworte: | Arts Behavioral sciences Social sciences Business |
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