The Sword in Titian's Portraits of Emperor Charles V

Portraits by Titian of the Emperor Charles V, dating from the period of his coronation in Bologna in 1530, show him brandishing a drawn sword as symbol of power, an attribute unique in the history of Italian portraiture. The significance of the unsheathed sword as symbol of the Cardinal Virtue Justi...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:Artibus et Historiae. - IRSA. - 34(2013), 67, Seite 201-218
1. Verfasser: Woods-Marsden, Joanna (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2013
Zugriff auf das übergeordnete Werk:Artibus et Historiae
Schlagworte:Applied sciences Political science Arts Behavioral sciences Law Religion
LEADER 01000caa a22002652 4500
001 JST11244783X
003 DE-627
005 20240624233524.0
007 cr uuu---uuuuu
008 180604s2013 xx |||||o 00| ||eng c
035 |a (DE-627)JST11244783X 
035 |a (JST)23510251 
040 |a DE-627  |b ger  |c DE-627  |e rakwb 
041 |a eng 
100 1 |a Woods-Marsden, Joanna  |e verfasserin  |4 aut 
245 1 4 |a The Sword in Titian's Portraits of Emperor Charles V 
264 1 |c 2013 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a Portraits by Titian of the Emperor Charles V, dating from the period of his coronation in Bologna in 1530, show him brandishing a drawn sword as symbol of power, an attribute unique in the history of Italian portraiture. The significance of the unsheathed sword as symbol of the Cardinal Virtue Justice is outlined, and a connection to the doctrine of theory governing the relationship of Church and State, known as the allegory of the two swords, is proposed. It is concluded that contemporaries would have read the 'naked sword' as a reference not only to the two swords body of doctrine but also to Charles' emergence in 1530 as temporarily triumphant in the centuries-long struggle between emperor and pope for power within Christendom. 
540 |a Copyright © 2013 IRSA 
650 4 |a Applied sciences  |x Technology  |x Weapons  |x Hand weapons  |x Swords 
650 4 |a Political science  |x Government  |x Government officials  |x Heads of state  |x Monarchs  |x Emperors 
650 4 |a Arts  |x Art history  |x Art genres and movements  |x Portraits 
650 4 |a Arts  |x Art history  |x Art periods  |x Renaissance art 
650 4 |a Behavioral sciences  |x Anthropology  |x Applied anthropology  |x Cultural anthropology  |x Cultural customs  |x Rituals  |x Rites of passage  |x Investitures  |x Coronations 
650 4 |a Law  |x Jurisprudence  |x Philosophy of law  |x Justice 
650 4 |a Arts  |x Literature  |x Literary devices  |x Allegory 
650 4 |a Applied sciences  |x Technology  |x Weapons 
650 4 |a Religion  |x Theology  |x Practical theology  |x Spiritual leaders  |x Clergy  |x Popes 
650 4 |a Behavioral sciences  |x Anthropology  |x Applied anthropology  |x Cultural anthropology  |x Cultural customs  |x Rituals  |x Ceremonies  |x Ceremonial objects  |x Scepters 
655 4 |a research-article 
773 0 8 |i Enthalten in  |t Artibus et Historiae  |d IRSA  |g 34(2013), 67, Seite 201-218  |w (DE-627)49965482X  |w (DE-600)2203246-0  |x 03919064  |7 nnns 
773 1 8 |g volume:34  |g year:2013  |g number:67  |g pages:201-218 
856 4 0 |u https://www.jstor.org/stable/23510251  |3 Volltext 
912 |a GBV_USEFLAG_A 
912 |a SYSFLAG_A 
912 |a GBV_JST 
912 |a GBV_ILN_11 
912 |a GBV_ILN_20 
912 |a GBV_ILN_22 
912 |a GBV_ILN_24 
912 |a GBV_ILN_31 
912 |a GBV_ILN_39 
912 |a GBV_ILN_40 
912 |a GBV_ILN_60 
912 |a GBV_ILN_62 
912 |a GBV_ILN_63 
912 |a GBV_ILN_65 
912 |a GBV_ILN_69 
912 |a GBV_ILN_70 
912 |a GBV_ILN_90 
912 |a GBV_ILN_100 
912 |a GBV_ILN_110 
912 |a GBV_ILN_120 
912 |a GBV_ILN_165 
912 |a GBV_ILN_187 
912 |a GBV_ILN_285 
912 |a GBV_ILN_374 
912 |a GBV_ILN_702 
912 |a GBV_ILN_2001 
912 |a GBV_ILN_2003 
912 |a GBV_ILN_2005 
912 |a GBV_ILN_2006 
912 |a GBV_ILN_2007 
912 |a GBV_ILN_2008 
912 |a GBV_ILN_2009 
912 |a GBV_ILN_2010 
912 |a GBV_ILN_2011 
912 |a GBV_ILN_2014 
912 |a GBV_ILN_2015 
912 |a GBV_ILN_2018 
912 |a GBV_ILN_2020 
912 |a GBV_ILN_2021 
912 |a GBV_ILN_2026 
912 |a GBV_ILN_2027 
912 |a GBV_ILN_2044 
912 |a GBV_ILN_2050 
912 |a GBV_ILN_2056 
912 |a GBV_ILN_2057 
912 |a GBV_ILN_2061 
912 |a GBV_ILN_2107 
912 |a GBV_ILN_2190 
912 |a GBV_ILN_2934 
912 |a GBV_ILN_2949 
912 |a GBV_ILN_2950 
912 |a GBV_ILN_4012 
912 |a GBV_ILN_4035 
912 |a GBV_ILN_4037 
912 |a GBV_ILN_4046 
912 |a GBV_ILN_4112 
912 |a GBV_ILN_4126 
912 |a GBV_ILN_4242 
912 |a GBV_ILN_4251 
912 |a GBV_ILN_4305 
912 |a GBV_ILN_4306 
912 |a GBV_ILN_4307 
912 |a GBV_ILN_4313 
912 |a GBV_ILN_4322 
912 |a GBV_ILN_4323 
912 |a GBV_ILN_4324 
912 |a GBV_ILN_4325 
912 |a GBV_ILN_4335 
912 |a GBV_ILN_4346 
912 |a GBV_ILN_4392 
912 |a GBV_ILN_4393 
912 |a GBV_ILN_4700 
951 |a AR 
952 |d 34  |j 2013  |e 67  |h 201-218