The Algerian War: Memory through Cinema

Abstract Algerian and French filmmakers have dealt differently with the Algerian War, which has nonetheless remained an obscure part of their national histories. From the years that immediately followed the conflict to the 2000s, cinema policies and production contexts have changed, affecting the po...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:	Black Camera: An International Film Journal (The New Series). - Indiana University Press, 1985. - 6(2014), 1, Seite 96-107
1. Verfasser:	Stora, Benjamin (VerfasserIn)
Format:	Online-Aufsatz
Veröffentlicht:	2014
Zugriff auf das übergeordnete Werk:	Black Camera: An International Film Journal (The New Series)
Schlagworte:	Behavioral sciences Political science Social sciences Applied sciences History


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520			\|a Abstract Algerian and French filmmakers have dealt differently with the Algerian War, which has nonetheless remained an obscure part of their national histories. From the years that immediately followed the conflict to the 2000s, cinema policies and production contexts have changed, affecting the politics of representation in each country. Adopting a chronological approach to Algerian and French cinemas, this article evokes the various phases behind the construction of the collective memory of the Algerian War of Independence. From state-to self-censorship, to melancholy renderings of the past and nationalist appropriations of history, French and Algerian cinemas confront distinct problematics. They provide challenging tools for comprehending the legacy of the war over collective memory, which the historian may exploit to promote further understanding between the two countries.
540			\|a © 2014 Indiana University Press Board of Directors
650		4	\|a Behavioral sciences \|x Anthropology \|x Applied anthropology \|x Cultural anthropology \|x Cultural studies \|x Film studies \|x Movies
650		4	\|a Political science \|x Military science \|x Armed conflict \|x War
650		4	\|a Political science \|x Military science \|x Armed forces \|x Military personnel \|x Soldiers
650		4	\|a Behavioral sciences \|x Human behavior \|x Violence
650		4	\|a Social sciences \|x Communications \|x Censorship
650		4	\|a Applied sciences \|x Engineering \|x Optical engineering \|x Optical equipment \|x Photographic equipment \|x Cameras
650		4	\|a History \|x Historical methodology \|x Historiography \|x Military history
650		4	\|a Behavioral sciences \|x Psychology \|x Cognitive psychology \|x Memory \|x Collective memory
650		4	\|a Behavioral sciences \|x Psychology \|x Social psychology \|x Group identity \|x National identity \|x Nationalism
650		4	\|a Political science \|x Military science \|x Armed forces \|x Armies
650		4	\|a Behavioral sciences \|x Anthropology \|x Applied anthropology \|x Cultural anthropology \|x Cultural studies \|x Film studies \|x Movies
650		4	\|a Political science \|x Military science \|x Armed conflict \|x War
650		4	\|a Political science \|x Military science \|x Armed forces \|x Military personnel \|x Soldiers
650		4	\|a Behavioral sciences \|x Human behavior \|x Violence
650		4	\|a Social sciences \|x Communications \|x Censorship
650		4	\|a Applied sciences \|x Engineering \|x Optical engineering \|x Optical equipment \|x Photographic equipment \|x Cameras
650		4	\|a History \|x Historical methodology \|x Historiography \|x Military history
650		4	\|a Behavioral sciences \|x Psychology \|x Cognitive psychology \|x Memory \|x Collective memory
650		4	\|a Behavioral sciences \|x Psychology \|x Social psychology \|x Group identity \|x National identity \|x Nationalism
650		4	\|a Political science \|x Military science \|x Armed forces \|x Armies \|x CLOSE-UP: POSTCOLONIAL FILMMAKING IN FRENCH-SPEAKING COUNTRIES
655		4	\|a research-article
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773	1	8	\|g volume:6 \|g year:2014 \|g number:1 \|g pages:96-107
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952			\|d 6 \|j 2014 \|e 1 \|h 96-107