The King’s Coral Body: A Natural History of Coral and the Post-Tragic Ecology of The Tempest

ABSTRACT This essay presents a natural history of coral, an animal that was once thought to be a plant that transformed into stone upon exposure to air. According to Ovid, Perseus propagated the first coral when he rested the Medusa’s severed head on a bed of freshly harvested seaweed. When the seaw...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:Journal for Early Modern Cultural Studies. - University of Pennsylvania Press. - 14(2014), 1, Seite 115-142
1. Verfasser: Kelley, Shannon (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2014
Zugriff auf das übergeordnete Werk:Journal for Early Modern Cultural Studies
Schlagworte:Renaissance The Tempest Coral Sea grotto Natural History Ecocriticism Shakespeare Forgiveness Biological sciences Physical sciences mehr... Behavioral sciences Arts Economics
LEADER 01000caa a22002652 4500
001 JST103397825
003 DE-627
005 20240624121459.0
007 cr uuu---uuuuu
008 240126s2014 xx |||||o 00| ||eng c
035 |a (DE-627)JST103397825 
035 |a (JST)jearlmodcultstud.14.1.115 
040 |a DE-627  |b ger  |c DE-627  |e rakwb 
041 |a eng 
100 1 |a Kelley, Shannon  |e verfasserin  |4 aut 
245 1 4 |a The King’s Coral Body: A Natural History of Coral and the Post-Tragic Ecology of The Tempest 
264 1 |c 2014 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a ABSTRACT This essay presents a natural history of coral, an animal that was once thought to be a plant that transformed into stone upon exposure to air. According to Ovid, Perseus propagated the first coral when he rested the Medusa’s severed head on a bed of freshly harvested seaweed. When the seaweed petrified, nymphs gathered its seeds and filled the ocean with forests of coral (gorgonia). According to the lyrics of Ariel’s second song ("of his bones are coral made") in The Tempest, Alonso’s corpse offers this stunning alternative to decay: a wondrous constancy whose ontological status is unclear. After considering coral’s taxonomic indeterminacy in Aristotle, Pliny, and Linnaeus, this essay historicizes coral in a wide variety of Renaissance contexts, including lapidaries, the global trade of Mediterranean coral to southern India, portraits of Christ as a child, and the garden sea grotto. Drawing upon these various contexts, the essay argues that King Alonso survives the post-tragic ecology of The Tempest due to a dehumanizing, yet elevating bond with coral. 
540 |a © 2014 JEMCS, Inc. 
650 4 |a Renaissance 
650 4 |a The Tempest 
650 4 |a Coral 
650 4 |a Sea grotto 
650 4 |a Natural History 
650 4 |a Ecocriticism 
650 4 |a Shakespeare 
650 4 |a Forgiveness 
650 4 |a Biological sciences  |x Biology  |x Zoology  |x Animals  |x Invertebrates  |x Aquatic invertebrates  |x Corals 
650 4 |a Biological sciences  |x Agriculture  |x Agricultural products  |x Aquaculture products  |x Pearls 
650 4 |a Physical sciences  |x Earth sciences  |x Geography  |x Geomorphology  |x Bodies of water  |x Seas 
650 4 |a Physical sciences  |x Earth sciences  |x Geography  |x Geomorphology  |x Caves  |x Grottos 
650 4 |a Biological sciences  |x Biology  |x Zoology  |x Animals 
650 4 |a Behavioral sciences  |x Anthropology  |x Applied anthropology  |x Cultural anthropology  |x Cultural studies 
650 4 |a Arts  |x Performing arts  |x Theater 
650 4 |a Biological sciences  |x Biology  |x Botany  |x Plants 
650 4 |a Biological sciences  |x Biology  |x Developmental biology  |x Growth and development  |x Developmental stages  |x Nymphs 
650 4 |a Economics  |x Economic disciplines  |x Labor economics  |x Employment  |x Occupations  |x Artisans  |x Lapidaries 
650 4 |a Biological sciences  |x Biology  |x Zoology  |x Animals  |x Invertebrates  |x Aquatic invertebrates  |x Corals 
650 4 |a Biological sciences  |x Agriculture  |x Agricultural products  |x Aquaculture products  |x Pearls 
650 4 |a Physical sciences  |x Earth sciences  |x Geography  |x Geomorphology  |x Bodies of water  |x Seas 
650 4 |a Physical sciences  |x Earth sciences  |x Geography  |x Geomorphology  |x Caves  |x Grottos 
650 4 |a Biological sciences  |x Biology  |x Zoology  |x Animals 
650 4 |a Behavioral sciences  |x Anthropology  |x Applied anthropology  |x Cultural anthropology  |x Cultural studies 
650 4 |a Arts  |x Performing arts  |x Theater 
650 4 |a Biological sciences  |x Biology  |x Botany  |x Plants 
650 4 |a Biological sciences  |x Biology  |x Developmental biology  |x Growth and development  |x Developmental stages  |x Nymphs 
650 4 |a Economics  |x Economic disciplines  |x Labor economics  |x Employment  |x Occupations  |x Artisans  |x Lapidaries  |x ESSAYS 
655 4 |a research-article 
773 0 8 |i Enthalten in  |t Journal for Early Modern Cultural Studies  |d University of Pennsylvania Press  |g 14(2014), 1, Seite 115-142  |w (DE-627)487893093  |w (DE-600)2188684-2  |x 15533786  |7 nnns 
773 1 8 |g volume:14  |g year:2014  |g number:1  |g pages:115-142 
856 4 0 |u https://www.jstor.org/stable/jearlmodcultstud.14.1.115  |3 Volltext 
912 |a GBV_USEFLAG_A 
912 |a SYSFLAG_A 
912 |a GBV_JST 
912 |a GBV_ILN_11 
912 |a GBV_ILN_20 
912 |a GBV_ILN_22 
912 |a GBV_ILN_24 
912 |a GBV_ILN_31 
912 |a GBV_ILN_39 
912 |a GBV_ILN_40 
912 |a GBV_ILN_60 
912 |a GBV_ILN_62 
912 |a GBV_ILN_63 
912 |a GBV_ILN_65 
912 |a GBV_ILN_70 
912 |a GBV_ILN_90 
912 |a GBV_ILN_100 
912 |a GBV_ILN_101 
912 |a GBV_ILN_110 
912 |a GBV_ILN_120 
912 |a GBV_ILN_165 
912 |a GBV_ILN_285 
912 |a GBV_ILN_374 
912 |a GBV_ILN_702 
912 |a GBV_ILN_1200 
912 |a GBV_ILN_2001 
912 |a GBV_ILN_2003 
912 |a GBV_ILN_2005 
912 |a GBV_ILN_2006 
912 |a GBV_ILN_2007 
912 |a GBV_ILN_2008 
912 |a GBV_ILN_2009 
912 |a GBV_ILN_2010 
912 |a GBV_ILN_2011 
912 |a GBV_ILN_2014 
912 |a GBV_ILN_2015 
912 |a GBV_ILN_2018 
912 |a GBV_ILN_2020 
912 |a GBV_ILN_2021 
912 |a GBV_ILN_2026 
912 |a GBV_ILN_2027 
912 |a GBV_ILN_2044 
912 |a GBV_ILN_2050 
912 |a GBV_ILN_2056 
912 |a GBV_ILN_2057 
912 |a GBV_ILN_2061 
912 |a GBV_ILN_2107 
912 |a GBV_ILN_2190 
912 |a GBV_ILN_2875 
912 |a GBV_ILN_2949 
912 |a GBV_ILN_2950 
912 |a GBV_ILN_4012 
912 |a GBV_ILN_4035 
912 |a GBV_ILN_4037 
912 |a GBV_ILN_4046 
912 |a GBV_ILN_4112 
912 |a GBV_ILN_4126 
912 |a GBV_ILN_4242 
912 |a GBV_ILN_4251 
912 |a GBV_ILN_4305 
912 |a GBV_ILN_4306 
912 |a GBV_ILN_4307 
912 |a GBV_ILN_4322 
912 |a GBV_ILN_4323 
912 |a GBV_ILN_4325 
912 |a GBV_ILN_4335 
912 |a GBV_ILN_4346 
912 |a GBV_ILN_4392 
912 |a GBV_ILN_4393 
951 |a AR 
952 |d 14  |j 2014  |e 1  |h 115-142