RESTORING BALANCE: REINTEGRATING A DAMAGED SKY IN ALFRED SISLEY'S "LA TERRASSE DE SAINT-GERMAIN"

A comprehensive conservation treatment of one of Alfred Sisley's finest landscapes sought to restore the painting to its original spirit. Sisley's practice of integrating exposed ground into his compositions poses particular challenges in their conservation.

Bibliographische Detailangaben
Veröffentlicht in:The Journal of the Walters Art Museum. - Trustees of the Walters Art Gallery. - 70/71(2013) vom: Jan., Seite 126-128
1. Verfasser: GORDON, ERIC (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2013
Zugriff auf das übergeordnete Werk:The Journal of the Walters Art Museum
Schlagworte:Arts Physical sciences Behavioral sciences Business Applied sciences
LEADER 01000caa a22002652 4500
001 JST100441947
003 DE-627
005 20240624090723.0
007 cr uuu---uuuuu
008 180520s2013 xx |||||o 00| ||eng c
035 |a (DE-627)JST100441947 
035 |a (JST)24412699 
040 |a DE-627  |b ger  |c DE-627  |e rakwb 
041 |a eng 
100 1 |a GORDON, ERIC  |e verfasserin  |4 aut 
245 1 0 |a RESTORING BALANCE: REINTEGRATING A DAMAGED SKY IN ALFRED SISLEY'S "LA TERRASSE DE SAINT-GERMAIN" 
264 1 |c 2013 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
520 |a A comprehensive conservation treatment of one of Alfred Sisley's finest landscapes sought to restore the painting to its original spirit. Sisley's practice of integrating exposed ground into his compositions poses particular challenges in their conservation. 
540 |a © 2013 Trustees of the Walters Art Gallery 
650 4 |a Arts  |x Arts participation  |x Art exhibitions 
650 4 |a Arts  |x Applied arts  |x Architecture  |x Buildings  |x Commercial buildings  |x Retail stores  |x Art galleries 
650 4 |a Physical sciences  |x Earth sciences  |x Geography  |x Geomorphology  |x Landforms  |x Terraces 
650 4 |a Behavioral sciences  |x Anthropology  |x Applied anthropology  |x Cultural anthropology  |x Cultural institutions  |x Museums  |x Art museums 
650 4 |a Arts  |x Art history  |x Art genres and movements  |x Modernist art  |x Art nouveau 
650 4 |a Arts  |x Art history  |x Art genres and movements  |x Impressionism 
650 4 |a Business  |x Industry  |x Industrial sectors  |x Manufacturing industries  |x Chemicals industries  |x Chemical products  |x Paints 
650 4 |a Arts  |x Art history  |x Art conservation 
650 4 |a Business  |x Industry  |x Industrial sectors  |x Manufacturing industries  |x Chemicals industries  |x Chemical products  |x Varnishes 
650 4 |a Applied sciences  |x Materials science  |x Materials  |x Adhesives  |x NOTES FROM THE DIVISION OF CONSERVATION AND TECHNICAL RESEARCH 
655 4 |a research-article 
773 0 8 |i Enthalten in  |t The Journal of the Walters Art Museum  |d Trustees of the Walters Art Gallery  |g 70/71(2013) vom: Jan., Seite 126-128  |w (DE-627)605990735  |w (DE-600)2508727-7  |x 23283831  |7 nnns 
773 1 8 |g volume:70/71  |g year:2013  |g month:01  |g pages:126-128 
856 4 0 |u https://www.jstor.org/stable/24412699  |3 Volltext 
912 |a GBV_USEFLAG_A 
912 |a SYSFLAG_A 
912 |a GBV_JST 
912 |a GBV_ILN_11 
912 |a GBV_ILN_20 
912 |a GBV_ILN_22 
912 |a GBV_ILN_23 
912 |a GBV_ILN_24 
912 |a GBV_ILN_31 
912 |a GBV_ILN_39 
912 |a GBV_ILN_40 
912 |a GBV_ILN_60 
912 |a GBV_ILN_62 
912 |a GBV_ILN_63 
912 |a GBV_ILN_65 
912 |a GBV_ILN_69 
912 |a GBV_ILN_70 
912 |a GBV_ILN_73 
912 |a GBV_ILN_90 
912 |a GBV_ILN_95 
912 |a GBV_ILN_100 
912 |a GBV_ILN_105 
912 |a GBV_ILN_110 
912 |a GBV_ILN_150 
912 |a GBV_ILN_151 
912 |a GBV_ILN_161 
912 |a GBV_ILN_165 
912 |a GBV_ILN_187 
912 |a GBV_ILN_213 
912 |a GBV_ILN_230 
912 |a GBV_ILN_285 
912 |a GBV_ILN_293 
912 |a GBV_ILN_370 
912 |a GBV_ILN_374 
912 |a GBV_ILN_602 
912 |a GBV_ILN_702 
912 |a GBV_ILN_2001 
912 |a GBV_ILN_2003 
912 |a GBV_ILN_2005 
912 |a GBV_ILN_2006 
912 |a GBV_ILN_2007 
912 |a GBV_ILN_2008 
912 |a GBV_ILN_2009 
912 |a GBV_ILN_2010 
912 |a GBV_ILN_2011 
912 |a GBV_ILN_2014 
912 |a GBV_ILN_2015 
912 |a GBV_ILN_2018 
912 |a GBV_ILN_2020 
912 |a GBV_ILN_2021 
912 |a GBV_ILN_2026 
912 |a GBV_ILN_2027 
912 |a GBV_ILN_2043 
912 |a GBV_ILN_2044 
912 |a GBV_ILN_2046 
912 |a GBV_ILN_2050 
912 |a GBV_ILN_2056 
912 |a GBV_ILN_2057 
912 |a GBV_ILN_2061 
912 |a GBV_ILN_2107 
912 |a GBV_ILN_2190 
912 |a GBV_ILN_2936 
912 |a GBV_ILN_2949 
912 |a GBV_ILN_2950 
912 |a GBV_ILN_4012 
912 |a GBV_ILN_4035 
912 |a GBV_ILN_4037 
912 |a GBV_ILN_4046 
912 |a GBV_ILN_4112 
912 |a GBV_ILN_4125 
912 |a GBV_ILN_4126 
912 |a GBV_ILN_4242 
912 |a GBV_ILN_4249 
912 |a GBV_ILN_4251 
912 |a GBV_ILN_4305 
912 |a GBV_ILN_4306 
912 |a GBV_ILN_4307 
912 |a GBV_ILN_4313 
912 |a GBV_ILN_4322 
912 |a GBV_ILN_4323 
912 |a GBV_ILN_4324 
912 |a GBV_ILN_4325 
912 |a GBV_ILN_4326 
912 |a GBV_ILN_4335 
912 |a GBV_ILN_4338 
912 |a GBV_ILN_4346 
912 |a GBV_ILN_4367 
912 |a GBV_ILN_4392 
912 |a GBV_ILN_4393 
912 |a GBV_ILN_4700 
951 |a AR 
952 |d 70/71  |j 2013  |c 01  |h 126-128