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|a eng
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|a Dance, Daryl Cumber
|e verfasserin
|4 aut
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|a [Rezension von: Cartwright, Keith: Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-Creole Authority...]
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|a The Lion Tells His Own Tale
|c Dance, Daryl Cumber
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|c 2015
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|a Text
|b txt
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|a Copyright © 2015 University of North Carolina at Chapel Hill Department of American Studies
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|a book-review
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|a Rezension
|2 gnd-content
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|a Cartwright, Keith
|e rezensierte person
|4 ant
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|a Drake, Simone C.
|e rezensierte person
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|a Moody-Turner, Shirley
|e rezensierte person
|4 ant
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|i Enthalten in
|t The Southern Literary Journal
|d DEPARTMENT OF AMERICAN STUDIES ∎ THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL, 1968
|g 47(2015), 2, Seite 135-140
|w (DE-627)327646802
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|g volume:47
|g year:2015
|g number:2
|g pages:135-140
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|i Rezension von
|a Cartwright, Keith: Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-Creole Authority
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| 787 |
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|i Rezension von
|a Drake, Simone C.: Critical Appropriations: African American Women and the Construction of Transnational Identity
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| 787 |
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|i Rezension von
|a Moody-Turner, Shirley: Black Folklore and the Politics of Racial Representation
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|u https://www.jstor.org/stable/24898791
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|d 47
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|e 2
|h 135-140
|