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160113s2012 xx |||||o 00| ||eng c |
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|a 10.2307/23268279
|2 doi
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|a (DE-627)JST097757292
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|a (JST)23268279
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|a DE-627
|b ger
|c DE-627
|e rakwb
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|a eng
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|a Kindall, Elizabeth
|e verfasserin
|4 aut
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|a Experiential Readings and the Grand View: "Mount Jizu" by Huang Xiangjian (1609—1673)
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|c 2012
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|a Text
|b txt
|2 rdacontent
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|a Computermedien
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|a Some Chinese artists exploited the spatial and temporal potential of the handscroll format by moving beyond traditional linear readings to experiential readings. Huang Xiangjian, for example, in 1656 composed a pictorial ascent of Mount Jizu in Yunnan Province that lent itself to such a constructed experience. Its reception combined a knowledgeable reading of the artist's picture and inscription with viewers' ability to visualize the mountain's polyvalent topography in full from the summit. This transformative experience culminates in a daguan, or "grand view": an elevated, panoramic prospect metaphorically implying the comprehensive understanding of certain enlightened individuals.
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|a copyright © 2012 College Art Association of America, Inc.
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|a Religion
|x Spiritual belief systems
|x Buddhism
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|a Physical sciences
|x Earth sciences
|x Geography
|x Geomorphology
|x Landforms
|x Tectonic landforms
|x Mountains
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|a Applied sciences
|x Engineering
|x Transportation
|x Travel
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| 650 |
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural institutions
|x Museums
|x Art museums
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| 650 |
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4 |
|a Business
|x Industry
|x Industrial sectors
|x Manufacturing industries
|x Printing industry
|x Stationery
|x Writing media
|x Scrolls
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| 650 |
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4 |
|a Arts
|x Applied arts
|x Architecture
|x Buildings
|x Minor structures
|x Towers
|x Pagodas
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| 650 |
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4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
|x Illustration
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| 650 |
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4 |
|a Physical sciences
|x Earth sciences
|x Geography
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| 650 |
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4 |
|a Arts
|x Visual arts
|x Painting
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|a Arts
|x Literature
|x Literary genres
|x Poetry
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|a research-article
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|i Enthalten in
|t The Art Bulletin
|d College Art Association of America, 1919
|g 94(2012), 3, Seite 412-436
|w (DE-627)340875305
|w (DE-600)2065958-1
|x 00043079
|7 nnns
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|g volume:94
|g year:2012
|g number:3
|g pages:412-436
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|u https://www.jstor.org/stable/23268279
|3 Volltext
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|u https://doi.org/10.2307/23268279
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|d 94
|j 2012
|e 3
|h 412-436
|