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150325s2003 xx |||||o 00| ||eng c |
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|a (JST)3558216
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|a DE-627
|b ger
|c DE-627
|e rakwb
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|a eng
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| 100 |
1 |
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|a Gortais, Bernard
|e verfasserin
|4 aut
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| 245 |
1 |
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|a Abstraction and Art
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|c 2003
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|a Text
|b txt
|2 rdacontent
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|a In a given social context, artistic creation comprises a set of processes, which relate to the activity of the artist and the activity of the spectator. Through these processes we see and understand that the world is vaster than it is said to be. Artistic processes are mediated experiences that open up the world. A successful work of art expresses a reality beyond actual reality: it suggests an unknown world using the means and the signs of the known world. Artistic practices incorporate the means of creation developed by science and technology and change forms as they change. Artists and the public follow different processes of abstraction at different levels, in the definition of the means of creation, of representation and of perception of a work of art. This paper examines how the processes of abstraction are used within the framework of the visual arts and abstract painting, which appeared during a period of growing importance for the processes of abstraction in science and technology, at the beginning of the twentieth century. The development of digital platforms and new man-machine interfaces allow multimedia creations. This is performed under the constraint of phases of multidisciplinary conceptualization using generic representation languages, which tend to abolish traditional frontiers between the arts: visual arts, drama, dance and music.
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|a Copyright 2003 The Royal Society
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| 650 |
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4 |
|a Abstraction
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| 650 |
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4 |
|a Art
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| 650 |
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4 |
|a Multimedia
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| 650 |
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4 |
|a Perception
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| 650 |
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4 |
|a Process
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| 650 |
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4 |
|a Reality
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| 650 |
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4 |
|a Philosophy
|x Axiology
|x Aesthetics
|x Aesthetic objects
|x Art objects
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| 650 |
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4 |
|a Arts
|x Art history
|x Art genres and movements
|x Abstract art
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| 650 |
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4 |
|a Arts
|x Visual arts
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| 650 |
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4 |
|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Artists
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| 650 |
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4 |
|a Arts
|x Art theory
|x Mimesis
|x Artistic representation
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| 650 |
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4 |
|a Applied sciences
|x Materials science
|x Material properties
|x Optical properties
|x Colors
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| 650 |
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4 |
|a Social sciences
|x Communications
|x Communications media
|x Multimedia materials
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| 650 |
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4 |
|a Arts
|x Art history
|x Art genres and movements
|x New media art
|x Computer art
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| 650 |
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4 |
|a Applied sciences
|x Laboratory techniques
|x Spectroscopy
|x Resonance lines
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| 650 |
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4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Perception
|x Sensory perception
|x Visual perception
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| 655 |
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4 |
|a research-article
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| 773 |
0 |
8 |
|i Enthalten in
|t Philosophical Transactions: Biological Sciences
|d The Royal Society
|g 358(2003), 1435, Seite 1241-1249
|w (DE-627)254635237
|w (DE-600)1462620-2
|x 09628436
|7 nnns
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| 773 |
1 |
8 |
|g volume:358
|g year:2003
|g number:1435
|g pages:1241-1249
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| 856 |
4 |
0 |
|u https://www.jstor.org/stable/3558216
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|d 358
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|e 1435
|h 1241-1249
|