Analysis as Interpretation: Interaction, Intentionality, Invention

Analysis as Interpretation: Interaction, Intentionality, Invention

This essay advocates analysis of the human-music interaction that articulates what the music does to or for someone (e.g., that it confuses, astonishes, or moves a listener), and how it does so. To connect analysis to musical sensibility, I reframe it as interpretation in the everyday sense in which...

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Bibliographische Detailangaben
Veröffentlicht in:Music Theory Spectrum. - Oxford University Press. - 28(2006), 2, Seite 191-209
1. Verfasser: GUCK, MARION A. (VerfasserIn)
Format: Online-Aufsatz
Veröffentlicht: 2006
Zugriff auf das übergeordnete Werk:Music Theory Spectrum
Schlagworte:Analysis Interpretation Criticism Intentionality Meaning
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520 |a This essay advocates analysis of the human-music interaction that articulates what the music does to or for someone (e.g., that it confuses, astonishes, or moves a listener), and how it does so. To connect analysis to musical sensibility, I reframe it as interpretation in the everyday sense in which things are "open to interpretation," or in which an interpretation is an account of something that might be taken in a number of ways. I draw together four ideas under this umbrella; analysis as: (1) a meeting between an individual and some music; (2) a characteristic expression of its author; (3) experiences with music; and (4) conceptual and verbal invention.What I advocate might also be called a humanistic psychology of music. 
540 |a © 2006 by The Society for Music Theory. All rights reserved. 
650 4 |a Analysis 
650 4 |a Interpretation 
650 4 |a Criticism 
650 4 |a Intentionality 
650 4 |a Meaning 
655 4 |a research-article 
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