|
|
|
|
| LEADER |
01000caa a22002652 4500 |
| 001 |
JST044552092 |
| 003 |
DE-627 |
| 005 |
20240621095814.0 |
| 007 |
cr uuu---uuuuu |
| 008 |
150324s2006 xx |||||o 00| ||eng c |
| 035 |
|
|
|a (DE-627)JST044552092
|
| 035 |
|
|
|a (JST)20371077
|
| 040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
| 041 |
|
|
|a eng
|
| 100 |
1 |
|
|a Chibnik, Michael
|e verfasserin
|4 aut
|
| 245 |
1 |
0 |
|a Oaxacan Wood Carvings in the World of Fine Art: Aesthetic Judgments of a Tourist Craft
|
| 264 |
|
1 |
|c 2006
|
| 336 |
|
|
|a Text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
| 338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
| 520 |
|
|
|a In recent years, certain ethnic and tourist arts have become highly valued by collectors, gallery owners, and museum curators in the United States, Canada, and Europe. This paper examines the extent to which economically successful woodcarvers in the Mexican state of Oaxaca have been able to gain the attention of the gatekeepers and tastemakers of the art world. The woodcarvers confront formidable obstacles in their efforts to have their work accepted as fine art. The recent invention of Oaxacan wood carving may make the craft seem inauthentic. Because carvings are usually made by a group of related family members, even some of the most aesthetically pleasing pieces cannot be attributed to an individual artist. The relatively low standard of living of most woodcarvers prevents them from adopting an "art for art's sake" philosophy emphasizing experimentation, originality, and lack of concern for commercial possibilities.
|
| 540 |
|
|
|a Copyright 2006 The University of New Mexico
|
| 650 |
|
4 |
|a Art
|
| 650 |
|
4 |
|a Aesthetics
|
| 650 |
|
4 |
|a Economics
|
| 650 |
|
4 |
|a Networks
|
| 650 |
|
4 |
|a Oaxaca
|
| 650 |
|
4 |
|a Wood carvings
|
| 650 |
|
4 |
|a Arts
|x Applied arts
|x Manual arts
|x Carving
|
| 650 |
|
4 |
|a Arts
|x Applied arts
|x Manual arts
|x Carving
|x Woodcarving
|
| 650 |
|
4 |
|a Arts
|
| 650 |
|
4 |
|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Artisans
|
| 650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural institutions
|x Museums
|x Art museums
|
| 650 |
|
4 |
|a Arts
|x Applied arts
|x Decorative arts
|x Crafts
|
| 650 |
|
4 |
|a Philosophy
|x Axiology
|x Aesthetics
|
| 650 |
|
4 |
|a Arts
|x Art history
|x Art genres and movements
|x Commercial art
|x Tourist art
|
| 650 |
|
4 |
|a Philosophy
|x Axiology
|x Aesthetics
|x Aesthetic objects
|x Art objects
|
| 650 |
|
4 |
|a Behavioral sciences
|x Leisure studies
|x Recreation
|x Entertainment
|x Exhibitions
|x Museum exhibits
|
| 655 |
|
4 |
|a research-article
|
| 773 |
0 |
8 |
|i Enthalten in
|t Journal of Anthropological Research
|d University of New Mexico, 1973
|g 62(2006), 4, Seite 491-512
|w (DE-627)34134642X
|w (DE-600)2067356-5
|x 00917710
|7 nnns
|
| 773 |
1 |
8 |
|g volume:62
|g year:2006
|g number:4
|g pages:491-512
|
| 856 |
4 |
0 |
|u https://www.jstor.org/stable/20371077
|3 Volltext
|
| 912 |
|
|
|a GBV_USEFLAG_A
|
| 912 |
|
|
|a SYSFLAG_A
|
| 912 |
|
|
|a GBV_JST
|
| 912 |
|
|
|a GBV_ILN_11
|
| 912 |
|
|
|a GBV_ILN_20
|
| 912 |
|
|
|a GBV_ILN_22
|
| 912 |
|
|
|a GBV_ILN_24
|
| 912 |
|
|
|a GBV_ILN_31
|
| 912 |
|
|
|a GBV_ILN_39
|
| 912 |
|
|
|a GBV_ILN_40
|
| 912 |
|
|
|a GBV_ILN_60
|
| 912 |
|
|
|a GBV_ILN_62
|
| 912 |
|
|
|a GBV_ILN_63
|
| 912 |
|
|
|a GBV_ILN_65
|
| 912 |
|
|
|a GBV_ILN_69
|
| 912 |
|
|
|a GBV_ILN_70
|
| 912 |
|
|
|a GBV_ILN_90
|
| 912 |
|
|
|a GBV_ILN_100
|
| 912 |
|
|
|a GBV_ILN_110
|
| 912 |
|
|
|a GBV_ILN_203
|
| 912 |
|
|
|a GBV_ILN_285
|
| 912 |
|
|
|a GBV_ILN_374
|
| 912 |
|
|
|a GBV_ILN_702
|
| 912 |
|
|
|a GBV_ILN_2001
|
| 912 |
|
|
|a GBV_ILN_2003
|
| 912 |
|
|
|a GBV_ILN_2005
|
| 912 |
|
|
|a GBV_ILN_2006
|
| 912 |
|
|
|a GBV_ILN_2007
|
| 912 |
|
|
|a GBV_ILN_2008
|
| 912 |
|
|
|a GBV_ILN_2009
|
| 912 |
|
|
|a GBV_ILN_2010
|
| 912 |
|
|
|a GBV_ILN_2011
|
| 912 |
|
|
|a GBV_ILN_2014
|
| 912 |
|
|
|a GBV_ILN_2015
|
| 912 |
|
|
|a GBV_ILN_2018
|
| 912 |
|
|
|a GBV_ILN_2020
|
| 912 |
|
|
|a GBV_ILN_2021
|
| 912 |
|
|
|a GBV_ILN_2026
|
| 912 |
|
|
|a GBV_ILN_2027
|
| 912 |
|
|
|a GBV_ILN_2044
|
| 912 |
|
|
|a GBV_ILN_2050
|
| 912 |
|
|
|a GBV_ILN_2056
|
| 912 |
|
|
|a GBV_ILN_2057
|
| 912 |
|
|
|a GBV_ILN_2061
|
| 912 |
|
|
|a GBV_ILN_2107
|
| 912 |
|
|
|a GBV_ILN_2190
|
| 912 |
|
|
|a GBV_ILN_2938
|
| 912 |
|
|
|a GBV_ILN_2949
|
| 912 |
|
|
|a GBV_ILN_2950
|
| 912 |
|
|
|a GBV_ILN_4012
|
| 912 |
|
|
|a GBV_ILN_4035
|
| 912 |
|
|
|a GBV_ILN_4037
|
| 912 |
|
|
|a GBV_ILN_4046
|
| 912 |
|
|
|a GBV_ILN_4112
|
| 912 |
|
|
|a GBV_ILN_4126
|
| 912 |
|
|
|a GBV_ILN_4242
|
| 912 |
|
|
|a GBV_ILN_4251
|
| 912 |
|
|
|a GBV_ILN_4305
|
| 912 |
|
|
|a GBV_ILN_4306
|
| 912 |
|
|
|a GBV_ILN_4307
|
| 912 |
|
|
|a GBV_ILN_4313
|
| 912 |
|
|
|a GBV_ILN_4322
|
| 912 |
|
|
|a GBV_ILN_4323
|
| 912 |
|
|
|a GBV_ILN_4325
|
| 912 |
|
|
|a GBV_ILN_4335
|
| 912 |
|
|
|a GBV_ILN_4346
|
| 912 |
|
|
|a GBV_ILN_4392
|
| 912 |
|
|
|a GBV_ILN_4393
|
| 912 |
|
|
|a GBV_ILN_4700
|
| 951 |
|
|
|a AR
|
| 952 |
|
|
|d 62
|j 2006
|e 4
|h 491-512
|