|
|
|
|
LEADER |
01000caa a22002652 4500 |
001 |
JST032530420 |
003 |
DE-627 |
005 |
20240620220025.0 |
007 |
cr uuu---uuuuu |
008 |
150324s2007 xx |||||o 00| ||en c |
024 |
7 |
|
|a 10.1525/fq.2007.61.1.16
|2 doi
|
035 |
|
|
|a (DE-627)JST032530420
|
035 |
|
|
|a (JST)25236387
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a en
|
100 |
1 |
|
|a Wilson, Emma
|e verfasserin
|4 aut
|
245 |
1 |
0 |
|a Days of Glory / Flanders: Emma Wilson on Two Prize-winning, Politically Ambitious French War Films
|
264 |
|
1 |
|c 2007
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
520 |
|
|
|a ABSTRACT Though the two films seem rather different—Bruno Dumont's Flanders dealing with an imaginary contemporary war, Rachid Bouchareb's Days of Glory concerned with forgotten incidents in World War II—the argument of this essay is that they share a sense, somewhat unusual among recent French filmmakers, of the political power of cinema.
|
540 |
|
|
|a © 2007 by the Regents of the University of California.
|
650 |
|
4 |
|a war film
|
650 |
|
4 |
|a Rachid Bouchareb
|
650 |
|
4 |
|a Bruno Dumont
|
650 |
|
4 |
|a French cinema
|
650 |
|
4 |
|a film and history
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed forces
|x Military personnel
|x Soldiers
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural customs
|x Festivals
|x Film festivals
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|x War theaters
|x World wars
|
650 |
|
4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Emotion
|x Emotional states
|x Fear
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed forces
|x Armies
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Narratives
|
650 |
|
4 |
|a Education
|x Formal education
|x Pedagogy
|x Humanities instruction
|x History instruction
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x Military history
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed forces
|x Military personnel
|x Soldiers
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural customs
|x Festivals
|x Film festivals
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed conflict
|x War
|x War theaters
|x World wars
|
650 |
|
4 |
|a Behavioral sciences
|x Psychology
|x Cognitive psychology
|x Emotion
|x Emotional states
|x Fear
|
650 |
|
4 |
|a Political science
|x Military science
|x Armed forces
|x Armies
|
650 |
|
4 |
|a Social sciences
|x Communications
|x Narratives
|
650 |
|
4 |
|a Education
|x Formal education
|x Pedagogy
|x Humanities instruction
|x History instruction
|
650 |
|
4 |
|a History
|x Historical methodology
|x Historiography
|x Military history
|
655 |
|
4 |
|a review-article
|
773 |
0 |
8 |
|i Enthalten in
|t Film Quarterly
|d University of California Press
|g 61(2007), 1, Seite 16-22
|w (DE-627)329554891
|w (DE-600)2047574-3
|x 15338630
|7 nnns
|
773 |
1 |
8 |
|g volume:61
|g year:2007
|g number:1
|g pages:16-22
|
856 |
4 |
0 |
|u https://www.jstor.org/stable/10.1525/fq.2007.61.1.16
|3 Volltext
|
856 |
4 |
0 |
|u https://doi.org/10.1525/fq.2007.61.1.16
|3 Volltext
|
912 |
|
|
|a GBV_USEFLAG_A
|
912 |
|
|
|a SYSFLAG_A
|
912 |
|
|
|a GBV_JST
|
912 |
|
|
|a GBV_ILN_11
|
912 |
|
|
|a GBV_ILN_20
|
912 |
|
|
|a GBV_ILN_22
|
912 |
|
|
|a GBV_ILN_24
|
912 |
|
|
|a GBV_ILN_31
|
912 |
|
|
|a GBV_ILN_39
|
912 |
|
|
|a GBV_ILN_40
|
912 |
|
|
|a GBV_ILN_60
|
912 |
|
|
|a GBV_ILN_62
|
912 |
|
|
|a GBV_ILN_63
|
912 |
|
|
|a GBV_ILN_65
|
912 |
|
|
|a GBV_ILN_69
|
912 |
|
|
|a GBV_ILN_70
|
912 |
|
|
|a GBV_ILN_90
|
912 |
|
|
|a GBV_ILN_100
|
912 |
|
|
|a GBV_ILN_110
|
912 |
|
|
|a GBV_ILN_120
|
912 |
|
|
|a GBV_ILN_165
|
912 |
|
|
|a GBV_ILN_187
|
912 |
|
|
|a GBV_ILN_285
|
912 |
|
|
|a GBV_ILN_374
|
912 |
|
|
|a GBV_ILN_702
|
912 |
|
|
|a GBV_ILN_2001
|
912 |
|
|
|a GBV_ILN_2003
|
912 |
|
|
|a GBV_ILN_2005
|
912 |
|
|
|a GBV_ILN_2006
|
912 |
|
|
|a GBV_ILN_2007
|
912 |
|
|
|a GBV_ILN_2008
|
912 |
|
|
|a GBV_ILN_2009
|
912 |
|
|
|a GBV_ILN_2010
|
912 |
|
|
|a GBV_ILN_2011
|
912 |
|
|
|a GBV_ILN_2014
|
912 |
|
|
|a GBV_ILN_2015
|
912 |
|
|
|a GBV_ILN_2018
|
912 |
|
|
|a GBV_ILN_2020
|
912 |
|
|
|a GBV_ILN_2021
|
912 |
|
|
|a GBV_ILN_2026
|
912 |
|
|
|a GBV_ILN_2027
|
912 |
|
|
|a GBV_ILN_2044
|
912 |
|
|
|a GBV_ILN_2050
|
912 |
|
|
|a GBV_ILN_2056
|
912 |
|
|
|a GBV_ILN_2057
|
912 |
|
|
|a GBV_ILN_2061
|
912 |
|
|
|a GBV_ILN_2107
|
912 |
|
|
|a GBV_ILN_2190
|
912 |
|
|
|a GBV_ILN_2934
|
912 |
|
|
|a GBV_ILN_2949
|
912 |
|
|
|a GBV_ILN_2950
|
912 |
|
|
|a GBV_ILN_2982
|
912 |
|
|
|a GBV_ILN_4012
|
912 |
|
|
|a GBV_ILN_4035
|
912 |
|
|
|a GBV_ILN_4037
|
912 |
|
|
|a GBV_ILN_4046
|
912 |
|
|
|a GBV_ILN_4112
|
912 |
|
|
|a GBV_ILN_4125
|
912 |
|
|
|a GBV_ILN_4126
|
912 |
|
|
|a GBV_ILN_4242
|
912 |
|
|
|a GBV_ILN_4251
|
912 |
|
|
|a GBV_ILN_4277
|
912 |
|
|
|a GBV_ILN_4305
|
912 |
|
|
|a GBV_ILN_4306
|
912 |
|
|
|a GBV_ILN_4307
|
912 |
|
|
|a GBV_ILN_4313
|
912 |
|
|
|a GBV_ILN_4322
|
912 |
|
|
|a GBV_ILN_4323
|
912 |
|
|
|a GBV_ILN_4324
|
912 |
|
|
|a GBV_ILN_4325
|
912 |
|
|
|a GBV_ILN_4331
|
912 |
|
|
|a GBV_ILN_4335
|
912 |
|
|
|a GBV_ILN_4346
|
912 |
|
|
|a GBV_ILN_4392
|
912 |
|
|
|a GBV_ILN_4393
|
912 |
|
|
|a GBV_ILN_4700
|
951 |
|
|
|a AR
|
952 |
|
|
|d 61
|j 2007
|e 1
|h 16-22
|