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|a (JST)41157563
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|a DE-627
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|e rakwb
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|a eng
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|a Peterfy, Margit
|e verfasserin
|4 aut
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|a Gore Vidal's "Public": Satire and Political Reality in "Visit to a Small Planet, The Best Man", and "An Evening with Richard Nixon"
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|c 2000
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|a Text
|b txt
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|a The essay discusses three plays by Gore Vidal, written for Broadway theatres, which are connected by the common theme of politics and the public, but are otherwise different in emphasis and style. The differences and similarities provide a starting point for an analysis of Vidal’s satiric mode. It is further argued that the "public," both in the sense of "electorate" and in the sense of "audience," had an influence on Vidal's creative process beyond the merely thematic. Although it imposed restrictions that curtailed his authorial freedom in various ways, in effect it challenged him to find artistic solutions that are unique in his œuvre.
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|a Arts
|x Literature
|x Literary modes
|x Satire
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|a Arts
|x Performing arts
|x Theater
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|a Arts
|x Literature
|x Literary studies
|x Literary criticism
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4 |
|a Arts
|x Art theory
|x Art criticism
|x Theater criticism
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Cultural studies
|x Film studies
|x Movies
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|a Social sciences
|x Communications
|x Censorship
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|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Politicians
|x Political candidates
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|a Economics
|x Economic disciplines
|x Labor economics
|x Employment
|x Occupations
|x Politicians
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4 |
|a Social sciences
|x Population studies
|x Human populations
|x Persons
|x Consumers
|x Audiences
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|a Political science
|x Political organizations
|x Political parties
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|a research-article
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|i Enthalten in
|t Amerikastudien / American Studies
|d Universitätsverlag WINTER, 1997
|g 45(2000), 2, Seite 201-218
|w (DE-627)345571215
|w (DE-600)2075319-6
|x 03402827
|7 nnns
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|g volume:45
|g year:2000
|g number:2
|g pages:201-218
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|u https://www.jstor.org/stable/41157563
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|d 45
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|e 2
|h 201-218
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