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Focusing on two painted Pietàs, this essay examines the means by which the artists Giulio Clovio (1498–1578) and Sebastiano del Piombo (1485–1547) simultaneously copied Michelangelo’s figures and made claims about their own pictorial mastery. Within the context of concerns about sacred images articu...
| Veröffentlicht in: | Renaissance Quarterly. - Renaissance Society of America. - 66(2013), 2, Seite 453-508 |
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| 1. Verfasser: | |
| Format: | Online-Aufsatz |
| Veröffentlicht: |
2013
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| Zugriff auf das übergeordnete Werk: | Renaissance Quarterly |
| Schlagworte: | Arts Law Physical sciences Religion Applied sciences |