The Italian Renaissance in the German historical imagination, 1860-1930

This innovative study takes a fresh look at a decisive period in the development of Western historiography; the German engagement with the Italian Renaissance in the decades from the German unification to the Weimar republic. Examining the writings of Nietzsche, Burckhardt and Mann, alongside a weal...

Description complète

Détails bibliographiques
Autres auteurs: Ruehl, Martin 1970- (Éditeur intellectuel)
Format: Ebook
Langue:English
Publié: Cambridge : Cambridge University Press, 2015
Titres liés à la collection:Ideas in context 105
Sujets:Historiography Renaissance in literature German literature Renaissance Renaissance ; Italy ; Historiography Historiography ; Germany ; History ; 19th century Historiography ; Germany ; History ; 20th century German literature ; 19th century ; History and criticism German literature ; 20th century ; History and criticism Italy ; Foreign public opinion, German plus... Germany ; Intellectual life ; 19th century Germany ; Intellectual life ; 20th century Italien Rezeption Deutschland Geschichtsschreibung Geschichte 1860-1930
Description matérielle:1 Online-Ressource (xiii, 317 pages)
Description
Résumé:This innovative study takes a fresh look at a decisive period in the development of Western historiography; the German engagement with the Italian Renaissance in the decades from the German unification to the Weimar republic. Examining the writings of Nietzsche, Burckhardt and Mann, alongside a wealth of visual sources, Dr Martin Ruehl traces the way in which the perception of the Italian Renaissance in this period is linked to, and to some extent shapes, the changing political discourse of the German middle class at a crucial moment of its modernisation. He argues that this discourse was tied to questions of religion, Kultur and national identity, and determined by rival tropes such as medievalism and the cult of the Reformation. The book ultimately reveals the Renaissance as a site of contestation and a concept fraught with the expectations, hopes and fears that defined the German bourgeoisie's experience of modernity
Introduction: Quattrocento Florence and what it means to be modern -- "An uncanny re-awakening" : Nietzsche's renascence of the Renaissance out of the spirit of Jacob Burckhardt -- Death in Florence : Thomas Mann and the ideologies of Renaissancismus -- "The first modern man on the throne" : Reich, race, and rule in Ernst Kantorowicz's Frederick the Second -- The Renaissance reclaimed : Burgerhumanismus and the forging of the Baron thesis -- Conclusion: The waning of the Renaissance : Death and after-life of an idea
Description:Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Description matérielle:1 Online-Ressource (xiii, 317 pages) digital, PDF file(s)
ISBN:9781139583206
1139583204
9781316328835
131632883X
9781107036994
1107036992
DOI:10.1017/CBO9781139583206