Battlefield Emotions 1500-1800 Practices, Experience, Imagination

Battlefield Emotions 1500-1800 : Practices, Experience, Imagination

"Preface" -- "Contents" -- "List of Figures" -- "Introduction" -- "Chapter 1: Battlefield Emotions 1500–1800: Practices, Experience, Imagination" -- "Practices" -- "Experience" -- "Imagination" -- "Notes" --...

Ausführliche Beschreibung

Bibliographische Detailangaben
1. Verfasser: Kuijpers, Erika (VerfasserIn)
Weitere Verfasser: van der Haven, Cornelis (MitwirkendeR)
Format: E-Book
Sprache:English
Veröffentlicht: London : Palgrave Macmillan UK, 2016
Mit dem übergeordneten Werk verknüpfte Titel:Palgrave Studies in the History of Emotions
Palgrave Studies in the History of Emotions Ser.
Schlagworte:Psychology Imagination Emotions Civilization Civilization-History Electronic books Military history Schlachtfeld Erfahrung Gefühl mehr... Medialisierung Taktik Geschichte 1500-1700
Umfang:1 online resource (301 pages)
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520 |a "Preface" -- "Contents" -- "List of Figures" -- "Introduction" -- "Chapter 1: Battlefield Emotions 1500–1800: Practices, Experience, Imagination" -- "Practices" -- "Experience" -- "Imagination" -- "Notes" -- "Part I: The Military: Emotional Practices and Community" -- "Chapter 2: Drill and Allocution as Emotional Practices in Seventeenth-Century Dutch Poetry, Plays and Military Treatises" -- "Drill, Obedience and Dedication" -- "Muscular Bonding and Togetherness" -- "Allocution and the Devotion to Courage" -- "The Swift Spirits of Frederick Henry" -- "Conclusion" -- "Notes" -- "Chapter 3: Magical Swords and Heavenly Weapons: Battlefield Fear(lessness) in the Seventeenth Century" -- "The Magical Sword of Gustavus Adolphus" -- "Soldiers’ Diaries" -- "The Fearlessness of the Christian soldier" -- "The Fearlessness of the Godless Soldier" -- "The Impact of Fear" -- "Notes" -- "Chapter 4: Emotions, Imagination and Surgery: Wounded Warriors in the Work of Ambroise Paré and Johan van Beverwijck" -- "A Case of Compassion" -- "Imagination Conquers Minds" -- "Emotions and Surgery in the Work of Ambroise Paré" -- "Imagination and Healing" -- "Surgery and Military" -- "Emotions and Surgical Practice" -- "Spiritualist Science" -- " Conclusion" -- "Notes" -- "Chapter 5: Fear, Honour and Emotional Control on the Eighteenth-Century Battlefield" -- "The Limits of the Conventional Model" -- "Honour and the Common Soldier" -- "Fighting Fear" -- "Notes" -- ": Reflections I" -- "Chapter 6: Early Modern Jokes on Fearing Soldiers" -- "Notes" -- "Part II: The Combatant: Emotional Experience and Writing" -- "Chapter 7: ‘His Courage Produced More Fear in His Enemies than Shame in His Soldiers’: Siege Combat and Emotional Display in the French Wars of Religion" -- "Siege Combat and Emotional Expression 
520 |a "Sieges as Sites of Emotional Display" -- "Siege Narratives as Emotional Sources" -- "Personal Narratives of Siege Warfare" -- "Three Case Studies of Siege Emotions" -- "Catholic Loyalism of the Baron de Chabans" -- "Virtuous Command of the Duc de Montmorency" -- "Siege Testimony of Louis de Pontis" -- " Conclusion" -- "Notes" -- "Chapter 8: Emotions in the Making: The Transformation of Battlefield Experiences during the Seven Years’ War (1756–1763)" -- "Battle Narratives and the Materiality of Experience" -- "Representing Emotion for the Masses: From Intertextuality to Intermediality" -- "The Feeling of Reading: Emotions at Home" -- " Conclusion: Historicising the Change of Emotional Regimes" -- "Notes" -- "Chapter 9: Mediated Battlefields of the French Revolution and Emotives at Work" -- "Public Representations" -- "Soldiers’ Stories" -- "Battlefield Emotions: Hondschoote, 1793" -- "Feelings at War: Nature and Patriotism" -- "Conclusion" -- "Notes" -- ": Reflections II" -- "Chapter 10: Whose Battlefield Emotion?" -- "Notes" -- "Part III: The Public: Emotional Re-Creation" -- "Chapter 11: The Sidelong Glance: Tracing Battlefield Emotions in Dutch Art of the Golden Age" -- "Flesh-Witnessing and Eye-Witnessing" -- "Battlefield Emotions in Pictures: Wide-Angle and Close-up" -- "Siege Maps and the Love of Knowledge" -- "Witnessing the Citizen Soldier" -- "The Sidelong Glance" -- "Notes" -- "Chapter 12: Deflecting the Fire of Eighteenth-Century French Battle Painting" -- "The Institutional Premises" -- "The Emotional Charge of Battle Painting" -- "Battle Painting Versus History Painting" -- "Notes" -- "Chapter 13: Picturing Valenciennes: Philippe-Jacques de Loutherbourg and the Emotional Regulation of British Military Art in the 1790s" -- "Visualising War: The Grand Attack on Valenciennes 
520 |a "War Displayed: Valenciennes and the Royal Gaze" -- "Competing Visions: Brown, Loutherbourg and Royal Patronage" -- "Conclusion" -- "Notes" -- "Conclusions and Perspectives" -- "Chapter 14: Battlefield Emotions in Early Modern Europe: Trends, Key Issues and Blind Spots" -- "‘Emotional Turns’ in Military History?" -- "Long-term Trends in Early Modern Battlefield Emotions" -- "The Affective Hard Core of Military Culture" -- "Emotional Communities in the Army" -- "Blind Spots" -- "Notes 
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