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|b how intellectual property, media and markets transform immaterial cultural goods
|c edited by Ute Röschenthaler and Mamadou Diawara
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|a First published
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|b Sean Kingston Publishing
|c [2016]
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|c © 2016
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|t Colonial legacy of the international copyright system
|r Alexander Peukert
|
505 |
8 |
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|t Whose text is it? : writing the oral
|r Elisabeth Mudimbe-Boyi
|
505 |
8 |
0 |
|t Lion's share : intellectual property rights and the South African music industry
|r Veit Erlmann
|
505 |
8 |
0 |
|t Authorship, copyright and quotation in oral and print spheres in early colonial Yorubaland
|r Karin Barber
|
505 |
8 |
0 |
|t In whose image or likeness? : publishing and the literary order in early post-colonial Nigeria
|r Patrick Oloko
|
505 |
8 |
0 |
|t Covers, remixes and mash-ups : locating African hip-hop in intellectual property rights discourse
|r Caroline Mose
|
505 |
8 |
0 |
|t "Be faster than the pirates" : copyright and the revival of "traditional dances" in south-west Cameroon
|r Ute Roschenthaler
|
505 |
8 |
0 |
|t From communal practice to intellectual property the Ngqoko Cultural Group, political claim-making and the judicialization of performance in South Africa
|r Neo Musangi
|
505 |
8 |
0 |
|t Breaking the contract? : handling intangible cultural goods among different generations in Mali
|r Mamadou Diawara
|
505 |
8 |
0 |
|t Music for everyone : the dynamics of piracy in Cameroon
|r Alexie Tcheuyap
|
505 |
8 |
0 |
|t Regulating mobility, reshaping accessibility : Nollywood and the piracy scapegoat
|r Alessandro Jedlowski
|
505 |
8 |
0 |
|t Between transnational and local aesthetic standards : beauty pageants in Mali
|r Dorothea E. Schulz
|
505 |
8 |
0 |
|t Wrestling, the media and marketing : when folklore meets show business
|r Ibrahima Wane
|
505 |
8 |
0 |
|t Who owns the vuvuzela? : local interests, intellectual property and the football World Cup in South Africa
|r Matthias Gruber.
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