Dada, surrealism, and the cinematic effect
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled...
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| Format: | E-Book |
| Sprache: | English |
| Veröffentlicht: |
Waterloo, Ont : Wilfrid Laurier University Press,
c2013
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| Mit dem übergeordneten Werk verknüpfte Titel: | Film and media studies series
Film and Media Studies |
| Schlagworte: | Dadaism Surrealism Art and motion pictures Electronic books |
| Umfang: | Online-Ressource (x, 765 p) |
Inhaltsangabe:
- ""Cover""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""Notes""; ""1 The Fate of Reason in Modernity""; ""The Modern Paradigm: Privileging Reason""; ""Geometry and Geometries""; ""Foundationalism Collapses""; ""Logic and Paradox""; ""Continuity and the Foundations of Physics""; ""Cantor and the Strangeness of Infinity""; ""Formalist Mathematics and the Limits of Reason""; ""Consequences of Reason�s Retreat""; ""“Primitivism� as a Response to the Collapse of Reason""; ""Notes""; ""2 Dadaism and the Disasters of War""; ""The Z�rich Coterie and Their Antics""
- ""The Dada Conspirators: Tristan Tzara""""The Dada Conspirators: Hugo Ball and Emmy Hennings""; ""The Dada Conspirators: Francis Picabia""; ""The K�nstlerkneipe Cabaret Voltaire and the Galerie Dada""; ""DADA: War and Politics""; ""DADA against the Burgeoning of Nationalism: What DADA Might Have Prevented""; ""A Precursor of DADA: The Comic Grotesque""; ""The Diffusion of DADA""; ""The Conditions That Produced the State of Mind Known as DADA""; ""Elementalism�s Menacing Lure""; ""DADA: Art and Anti-Art""; ""DADA and the Life-Principle""; ""Constructive DADA""
- ""Hans Richter on the Six Forms of Use in Returning Art to Its Elementary Condition""""Dada Forms: Collage""; ""Further on Collage�s New Notion of Form""; ""DADA and Language""; ""Parallels with the Russian Transrationalists and Andrei Bely""; ""Zaum and the Higher Consciousness of Trans-Sense""; ""Picabia, Man Ray, and the Dadaist Art of the Machine""; ""Duchamp and DADA�s Art of the Machine""; ""Entr�acte: Commentary""; ""Man Ray�s Dada Cinema""; ""Emak Bakia: Introduction""; ""Emak Bakia: Commentary""; ""DADA: In Conclusion""; ""Notes""; ""3 Surrealism and the Cinema""
- ""Beginnings""""Psychoanalysis and the Occult: The Intrusion of Alien Forms into Consciousness and the Poetics of the Surrealist Literary Image""; ""DADA and Surrealism""; ""Hippolyte Taine, Hasard Objectif, the Poetic Image, and the Cinema""; ""The Cinema, Photography, and “the Marvellous�""; ""Photography, the Surrealist Object, and the Unheimlich""; ""Ernst�s Frottage as a Handmade Trace and Automatist Form""; ""Surrealism, Apollinaire, and Reconciliation""; ""Surrealism and the Hegelian Dialectic""; ""Surrealism and the Freudian Dialectic""
- ""DalÃ, the Double Image, and Paranoiac-Critical Methods""""Dalà against Idealism""; ""DalÃ, Paranoia, and Lacan: A New Phase of Surrealism Begins""; ""Lacanâ€?s Theories and Surrealistsâ€? Conception of the Poetic Image""; ""Un chien andalou: Commentary""; ""An Anti-Art Film""; ""The Verbal Image""; ""Surrealismâ€?s Fissures and Luis Buñuelâ€?s Las Hurdes: Tierra sin pan""; ""Las Hurdes and the Documentary""; ""Dialectical Structure in Las Hurdes""; ""Las Hurdes and Batailleâ€?s Heterology""; ""Las Hurdes and the Sacred""; ""Las Hurdes as an Ethnographic Film""
- ""The Hurdanos in History""