Comic medievalism laughing at the Middle Ages

Comic medievalism : laughing at the Middle Ages

I. The set up -- Introduction: Laughing at, with and in the Middle Ages -- The Cervantean paradigm: comedy, madness and meta-medievalism in Don Quixote -- II. Oldies but goodies: comic recovery -- Scraping the rust from the joking bard: Chaucer in the age of wit -- Medievalist farce as anti-totalita...

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Détails bibliographiques
Auteur principal: D'Arcens, Louise 1968- (Auteur)
Format: Livre
Langue:English
Publié: Woodbridge, Suffolk [u.a.] : Brewer, 2014
Édition:1. publ.
Titres liés à la collection:Medievalism 4
Accès à la collection:Medievalism
Sujets:Literature, Medieval / History and criticism Literature, Medieval Europa Humor Komik Mittelalter
Description matérielle:X, 209 S.
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245 1 0 |a Comic medievalism  |b laughing at the Middle Ages  |c Louise D'Arcens 
250 |a 1. publ. 
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490 1 |a Medievalism  |v Vol. 4 
500 |a Includes bibliographical references and index 
520 |a I. The set up -- Introduction: Laughing at, with and in the Middle Ages -- The Cervantean paradigm: comedy, madness and meta-medievalism in Don Quixote -- II. Oldies but goodies: comic recovery -- Scraping the rust from the joking bard: Chaucer in the age of wit -- Medievalist farce as anti-totalitarian weapon: Dario Fo as modern Giullare -- III. Hit and myth: performing and parodying medievalism -- Pre-modern camp and faerie legshows: travestying the Middle Ages on the nineteenth-century stage -- Up the Middle Ages: performing tradition in comic medievalist cinema -- IV. That's edutainment: comedy and history -- 'The past is a difficult and fairly disgusting country': the Middle Ages in recent British 'jocumentary' -- Smelling the past: medieval heritage tourism and the phenomenology of ironic nostalgia -- Afterword: Laughing into the future 
520 |a The role of laughter and humour in the postmedieval citation, interpretation or recreation of the middle ages has hitherto received little attention, a gap in scholarship which this book aims to fill. Examining a wide range of comic texts and practices across several centuries, from Don Quixote and early Chaucerian modernisation through to Victorian theatre, the Monty Python films, television and the experience of visiting sites of ""heritage tourism"" such as the Jorvik Viking Museum at York, it identifies what has been perceived as uniquely funny about the Middle Ages in different times and places, and how this has influenced ideas not just about the medieval but also aboutmodernity. Tracing the development and permutations of its various registers, including satire, parody, irony, camp, wit, jokes, and farce, the author offers fresh and amusing insight into comic medievalism as a vehicle for critical commentary on the present as well as the past, and shows that for as long as there has been medievalism, people have laughed at and with the middle ages. 
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