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|a Music and cultural diplomacy in the Middle East
|b geopolitical re-configurations for the 21st century
|c M.M. Rijo Lopes da Cunha ..., editors
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|c 2024
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|a References -- Part II: Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4: Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Introduction -- Background: Soft Power, Hard Interests -- Musical Forms of Cultural Diplomacy -- Conceptual Problems: Tristes Tropes -- Cultural Diplomacy Through Music in Spain: Prospects and Pitfalls -- From Convivencia and Tolerance to Culture Jamming -- Culture Jamming and Musical Dissensus -- Conclusion -- References
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|a Chapter 1: Introduction: Music and Cultural Diplomacy in the Middle East-Geopolitical Reconfigurations for the Twenty-First Century -- Polyvocality in Twenty-First Century Diplomacy: Key Topics and Contributions of This Volume -- Structure of the Volume -- References -- Part I: Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2: From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Introduction
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|a From Mecca to Istanbul -- Imperial Cosmopolitans -- To the Big Apple -- Conclusion: Obscured by Nations -- References -- Chapter 3: Strike an Elizabethan Pose: Early Music Diplomacy-Queen Elizabeth I's Clockwork Organ Gift to the Ottoman Court -- Elizabeth's Clockwork Organ, an Automaton of Wonder -- Background Context: England Turns Turk -- When Dallam Played the Organ Automaton at the Grand Court -- Self-Fashioning and Constructing the Cult of Elizabeth -- What Could Have the Musical Performance Included? -- The Destiny of the Organ, England Turns Away -- Music, Diplomacy and Power
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|a Chapter 5: Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Introduction -- A Note on Methodology -- Cultural Diplomacy, Diaspora, and Turkish Music Choirs -- State and Amateur Turkish Music Choirs -- Amateur Turkish Music Choirs in the Diaspora -- Channeling the Flow of Turkish State Musicians -- Conclusion -- References -- Chapter 6: Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Introduction: Beginnings -- Project 1: 'Prince Zal and the Simorgh', 2011-2012 -- Background
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|a Educational Activities -- The Concerts -- Prince Zal as a Form of Cultural Diplomacy -- Project 2: The Phoenix of Persia Children's Book, 2017-2019 -- Background -- Educational Activities -- But Is It Cultural Diplomacy? -- Concluding Thoughts: Towards a DIY Cultural Diplomacy? -- References -- Filmography -- Part III: Soft Power in State, Statecraft and Music-Making -- Chapter 7: Umm Kulthum and Cultural Diplomacy in Egypt -- Introduction -- The Concerts for Egypt3 -- Umm Kulthum and the Egyptian Government -- The Concerts for Egypt and Cultural Diplomacy -- Musicians, the State and Power
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