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|a A philosophy of ambient sound
|b materiality, technology, art and the sonic environment
|c Ulrik Schmidt
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|c 2023
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|a 1: Introduction -- The 'Problem' of Ambient Sound -- The Concept of Ambient Sound -- Sonic Environmentality -- Surroundability -- Onto-aesthetics -- Perspectives and Aims -- Bibliography -- Part I: Fields -- 2: Effects of Being-in -- Toward a Material Morphology of Ambient Sound -- Sound as Furniture -- Centralization and Decentralization -- Bibliography -- 3: Environmental and Surrounding Sounds -- From Environmental to Surrounding Sounds -- Objectivity and Environmentality -- Objectlessness -- The A-figurative Continuum -- Bibliography -- 4: Field Effects -- Univocity and Consistency -- Ubiquity -- Immanence and Immersion -- Toward the Ground -- Groundlessness -- Continuous Variation -- Bibliography -- Part II: Strategies -- 5: Sonic Mediatization -- Environmentality Without Ecology -- What Is Mediatization? -- Mediation and Mediatization -- Acousmatics and Mediatization -- Medium Effects, Phonogeny and Mediatization -- Bibliography -- 6: Synthetic Strategies -- From Reproduction Sensibilities to Production Sensibilities -- Synthetic and Organic Matter -- Synthetic Sound and Technology -- Sound Masses -- Generalized Pop -- Bibliography -- 7: Ambient Sound Design -- Sound Design and the Production of Audiovisual Immanence -- The Sonic Environment in Classic Cinema -- The Contemporary Audiovisual Scene -- The Emancipation of Ambient Sound -- Sonic Intensification of Audiovisual Space -- Bibliography -- Part III: Frames -- 8: Staging Ambient Listening -- Technology and Listening -- The Synthetic Production of the Listening Environment -- The Double Mediality of Technological Listening -- Staging the Ambient Listening Environment -- Bibliography -- 9: Architectures of Acoustic Immanence -- Mediatization of Acoustic Space -- Enhanced Reverberation.
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