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|a Destroy the copy – Plaster cast collections in the 19th–20th centuries
|b demolition, defacement, disposal in Europe and beyond
|c edited by Annetta Alexandridis ; Lorenz Winkler-Horaček
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|a Berlin
|a Boston
|b De Gruyter
|c [2022]
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|a Intro -- Preface -- Contents -- Acknowledgements -- Introduction -- I (Post)colonial Contexts -- Introduction -- The (Mis)Performance of Cast Collections -- The Rise and Fall of the Museo de Copias: On the History of the Collection of Sculpture Replicas in the National Museum of Fine Arts in Santiago de Chile -- Embrace the Copy: Plaster Casts and Modernity in Art Education in Japan -- II Contested Classification: Art vs. Archaeology vs. Anthropology -- Introduction -- Hidden in Plain View: The Plaster Cast Collection at the National Museum of Natural History of the Smithsonian Institution -- Falling Between the Cracks: UC Berkeley's Plaster Casts -- "Museum of Ancient Art" or White Elephant? The Battle Collection of Plaster Casts at the University of Texas at Austin -- Through Athena's Eyes: The Henry W. Sage Collection of Casts at Cornell University -- From Pillar to Post: Classical Casts at the British Museum -- III The Contingencies of Value -- Introduction -- Burnt, Destroyed, Sold, Lost: The Fate of Cast Collections in the 18th and 19th Centuries -- What Archival Records Do or Do Not Say: The Destruction of Plaster Casts in Geneva -- Die Abguss-Sammlungen im Museum Fridericianum und in der Gemäldegalerie Kassel -- Von systematischer Vernachlässigung bis absichtlicher Zerstörung: Gipsabgüsse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert -- IV The Contingencies of Authenticity -- Introduction -- Keep the Copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit -- Verkauft, verschenkt, zerstört. Vergessen? Die Frankfurter Abguss-Sammlung(en): Versuch einer Rekonstruktion -- The Fate of the Berlin Plaster Cast Collections: From Veneration to Destruction, Defacement, and Disposal -- Smashing Casts: Replication of Scottish Early Medieval Sculpture as a Case Study on the Fragility of Value.
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|a Art
|x Mutilation, defacement, etc
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|a Plaster casts
|x Social aspects
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|a Sculpture, Classical
|x Appreciation
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|a Art and society
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|a Konferenzschrift
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