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|a Rethinking the dialogue between the verbal and the visual
|b methodological approaches to the relationship between religious art and literature (1400-1700)
|c edited by Ingrid Falque, Agnès Guiderdoni
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|b Brill
|c 2023
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|c ©2023
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|a Brill's studies on art, art history, and intellectual history
|v 61
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|a Description based on publisher supplied metadata and other sources
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|a Chapter 1 Introduction -- Chapter 2 Framing the Text-Image Relationship(s) in Henry Suso's Exemplar -- Chapter 3 How to Read the Drawings of Gielis vander Hecken (1491-1538) -- Chapter 4 The Adventures of the Soul in a Wonderful Emblematic Manuscript of the Belgium Royal Library -- Chapter 5 Sese oblectari in dies: Tropes of Materiality and Artisanship in the Paradisus precum selectarum (1610) of the Cistercian Sub-prior Martin Boschman -- Chapter 6 "Hidden Sons", Baptism, and Vernacular Mysticism in Rogier van der Weyden's St. John Triptych -- Chapter 7 The Art of Observance. Jan Provoost's Diptych of a Franciscan Friar as an Exponent of the Spirituality and Position of the Franciscan Order in the Low Countries, c.1520 -- Chapter 8 Jan Brueghel the Elder's First Paradise Landscape (1594) -- Chapter 9 Liber idiotae or lingua universalis? The Language of Images in 17th Century Jesuit Literature
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|a Christian art and symbolism
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