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|a Diagrams of power in Benjamin and Foucault
|b the recluse of architecture
|c Mark Laurence Jackson
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|c [2022]
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|a Intro -- Preface: Alchemy of the Verb -- Commonplaces -- Itinerary -- Tonalities of the Work -- References -- Acknowledgements -- Contents -- 1 Empty Links -- 1.1 Disclosing Origins -- 1.1.1 Pre-hending Enactments -- 1.1.2 Goneness -- 1.1.3 Das Vorbei -- 1.2 Architecture's Ursprung -- 1.2.1 Feeling 'At Home' -- 1.2.2 A Past Never Present -- 1.2.3 Idea and Shape -- 1.2.4 Spirit's Tekhnē -- 1.3 The Living Dead -- 1.3.1 Beginning's False Promise -- 1.3.2 Hegel's Semiology -- 1.3.3 Architecture's Uncanny Thing -- 1.3.4 The Outside to Non-Contamination -- 1.4 Mimesis-Nature and Spirit -- 1.4.1 We Think in Names -- 1.4.2 The Relief of Phantasy -- 1.4.3 Spacing's Powers -- References -- 2 Divinity and Violence -- 2.1 Allegory and the Destructive Character -- 2.1.1 Displacing the Angle of Vision -- 2.1.2 Memory -- 2.1.3 Thought Words -- 2.2 Passing Through -- 2.2.1 An Unconscious Preserve -- 2.2.2 Thinking Writing -- 2.2.3 Showplace of Modernity -- 2.3 Thresholds of Immediacy -- 2.3.1 Torsos in the Collector's Gallery -- 2.3.2 The Half-Light of Habit -- 2.3.3 Expressions of Discrepancy -- 2.4 The Recluse of Powers -- 2.4.1 We, Masters, Were Not at Home -- 2.4.2 Deification of the Word -- 2.4.3 Fragments and Runes -- References -- 3 Being and History -- 3.1 Repetition -- 3.1.1 Temporality and Historicity -- 3.1.2 Auto-Affection -- 3.1.3 Singularity and Repetition -- 3.1.4 Types of Madness -- 3.2 Transformations of the Self -- 3.2.1 Kant's Enlightenment -- 3.2.2 Excavation and Memory -- 3.2.3 Discursive Force -- 3.2.4 Speaking the True -- 3.3 Three Ontologies -- 3.3.1 Language, Light, and History -- 3.3.2 Diagrams of Power -- 3.3.3 Three Ontologies -- References -- 4 The Mirror of Nothingness -- 4.1 Sunlight of Assurance and Transparency -- 4.1.1 The Outside of Thought -- 4.1.2 Power's Productive Spaces -- 4.1.3 Technologies of the Self.
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