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|a Hibino, Kei
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|a Music in the Making of Modern Japan
|b Essays on Reception, Transformation and Cultural Flows
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|a Cham
|b Springer International Publishing AG
|c 2021
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|a Intro -- Acknowledgements -- Note on Transliteration -- Praise for Music in the Making of Modern Japan -- Contents -- Notes on Contributors -- 1 Introduction -- Affective Media: Towards a Definition -- Three Stages of Affective Media -- Conclusion -- References -- Part I Reception -- 2 Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education -- Introduction -- The Introduction of European Music by the Jesuits -- The Meiji Era: Re-introducing Western Music -- Conclusion -- References -- 3 Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context -- Introduction -- Sonic Culture -- Visual Culture -- Behavioural Culture -- Conclusion -- References -- 4 Guitar Making and Intercultural Communication in Japan and Australia -- Introduction -- The Electric Guitar and Manufacturing -- The Acoustic Guitar and Luthiery -- Summary -- References -- Part II Transformation -- 5 Black Intentions: Ishii Maki, Hirose Ryōhei, Shinohara Makoto and the Japanese Avant-Garde -- Introduction -- The Recorder -- The European Context -- Hybridity -- Avant-Garde Japanese Composers -- Japanese Legacies -- Beyond Japan -- References -- 6 Scarlett, an American Musical Made in Japan -- or, How Japanese Learned to Stop Worrying and Love Integrated Musicals -- Introduction -- Scarlett's Pre-history: How Japanese Worried About "Myūjikarusu" -- A Three-Way Struggle for Artistic Hegemony: How Japanese Learned to Love Integrated Musicals -- After the Success of the Tokyo Production: How an American Integrated Musical Was Unpopular in the US in the Early 1970s -- References -- 7 "Like Some Cat from Japan": Sukita Masayoshi's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music -- Introduction -- Bowie's Antitheatrical Aesthetics.
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