„fröude, fröude, fröude…! “ Wortklang als Medium in der Minnelyrik Gottfrieds von Neifen

„fröude, fröude, fröude…! “ : Wortklang als Medium in der Minnelyrik Gottfrieds von Neifen

The elaborate outer form and the unique sound aesthetics involved are an essential characteristic of the MHG love songs (‘Minnelieder’) composed by Gottfried von Neifen. By analysing two stanzas of two different songs in detail, it becomes obvious that the specific sound of words is not only formal...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:Das Mittelalter. - Heidelberg : Heidelberg University Publishing, 1996. - 27(2022), 1, Seite 223-240
1. Verfasser: Schanze, Christoph 1982- (VerfasserIn)
Format: Online-Aufsatz
Sprache:German
Veröffentlicht: 2022-07-21
Zugriff auf das übergeordnete Werk:Das Mittelalter
Umfang:18
Beschreibung
Zusammenfassung:The elaborate outer form and the unique sound aesthetics involved are an essential characteristic of the MHG love songs (‘Minnelieder’) composed by Gottfried von Neifen. By analysing two stanzas of two different songs in detail, it becomes obvious that the specific sound of words is not only formal ornament, but can also function as a means to convey meaning. Thus, a song’s underlying message can either be supported in the sense of ‘presence’ (Gumbrecht), or it can be undermined. Keywords Gottfried von Neifen; MHG Courtly Love Poetry; Sound; Euphony
Beschreibung:Gesehen am 01.08.2022
Beschreibung:18
ISSN:2196-6869
DOI:10.17885/heiup.mial.2022.1.24549