Akustische Dimensionen in der Militärgeschichte der spätmittelalterlichen Eidgenossenschaft

Akustische Dimensionen in der Militärgeschichte der spätmittelalterlichen Eidgenossenschaft

Every war has its own sounds, which differ from earlier and later wars. This statement by the German historian Gerhard Paul also applies to the war history of late medieval Switzerland. Special musical instruments like the Harsthorn could have a psychological effect on enemies in fight. Other musica...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:Das Mittelalter. - Heidelberg : Heidelberg University Publishing, 1996. - 27(2022), 1, Seite 51-67
1. Verfasser: Landolt, Oliver 1966-2023 (VerfasserIn)
Format: Online-Aufsatz
Sprache:German
Veröffentlicht: 2022-07-21
Zugriff auf das übergeordnete Werk:Das Mittelalter
Schlagworte:Schweiz Schlachtfeld
Umfang:17
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520 |a Every war has its own sounds, which differ from earlier and later wars. This statement by the German historian Gerhard Paul also applies to the war history of late medieval Switzerland. Special musical instruments like the Harsthorn could have a psychological effect on enemies in fight. Other musical instruments like trumpets, pipes and drums played an important role in different war and battle situations (as signals or other signs). The interplay between noise and silence was an important tactic in assaults, especially at night. War sounds changed in late medieval times due to the invention of firearms. Keywords Switzerland; Battlefield; Harsthorn; War Noise; Music 
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